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Contrapuntal Improvisation
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Book Synopsis Harmonic Development and Contrapuntal Techniques for the Jazz Pianist by : Gary Motley
Download or read book Harmonic Development and Contrapuntal Techniques for the Jazz Pianist written by Gary Motley and published by Taylor & Francis. This book was released on 2023-12-18 with total page 214 pages. Available in PDF, EPUB and Kindle. Book excerpt: Harmonic Development and Contrapuntal Techniques for the Jazz Pianist serves as a guide for harmonic expansion and development for jazz piano, offering pianists both a rationale and methods to improve contrapuntal hand techniques. The text focuses on the relationship between theory and execution and both of those components’ usefulness in creating a jazz sound at the piano. This kinaesthetic method provides the learner with a systematic approach to harmonic movement, revealing options that may not have been otherwise apparent. This method will allow pianists to add depth and dimension to their chord voicings in the same way that vocalists and wind instrumentalists give character and shape to the notes they create. Key features include musical examples ranging from singular chord construction to sophisticated harmonic progressions and song application. Performance exercises are provided throughout the text. Learners and instructors are encouraged to create their own exercises. Related ancillaries at harmoniccounterpoint.com include: Musical examples Audio tracks Performance exercises Written assignments Intended for the learner who is reasonably familiar with essential jazz harmony, this textbook will be both a significant resource for the advanced player and a fundamental component for the learner in a structured academic musical setting.
Book Synopsis Contrapuntal Improvisation by : Serge Pierro
Download or read book Contrapuntal Improvisation written by Serge Pierro and published by . This book was released on 2020-10 with total page 118 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first book to teach the necessary mechanisms in an organized format that will be used for improvising two lines at once on the guitar (bass lines and melody lines). The material covered in the method includes: All of the diatonic seventh arpeggios in both ascending and descending forms, organized by the root in the bass, third in the bass and the fifth in the bass. Scale fragments with both static and moving bass lines. Basic rhythms with moving lines and syncopation. Each of these sections is further broken down into individual chapters focusing on a specific aspect of the topic. The material is geared towards both the intermediate and advanced guitarist. Topics such as fingerings, finger stretches and finger independence are also discussed. Having taught professionally for 35+ years, the author has the experience and curriculum to help takes students to the next level. The book is suitable for guitarists interested in players such as Ted Greene, Chet Atkins, Howard Morgen, George Van Eps, Jimmy Wyble and Charlie Christian. Classical guitarists looking to build a foundation on learning how to improvise multiple lines, will find the material suitable for their technique. Although improvisation is the focus of the book, the material can also be used for composition and song writing.
Book Synopsis Harmony, Counterpoint & Improvisation: Book 1 by : Benjamin Dale
Download or read book Harmony, Counterpoint & Improvisation: Book 1 written by Benjamin Dale and published by Novello & Co Ltd.. This book was released on 2011-01-01 with total page 112 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first volume of Harmony, Counterpoint & Improvisation, a textbook which offers each of these three facets as one organic course of study. The harmony section covers the whole technique of common chords and their inversions. Counterpoint is initially discussed as a vocal art and the early exercises explore the art of Palestrina and the English Tudor composers. In the improvisation section many keyboard techniques are introduced, such as transposition, chord progression and simple harmonisation.
Book Synopsis The Art of Two-Line Improvisation by : Jimmy Wyble
Download or read book The Art of Two-Line Improvisation written by Jimmy Wyble and published by Mel Bay Publications. This book was released on 2016-01-13 with total page 97 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of etudes, written during the 1970's, was composed as a result of Jimmy Wyble's explorations into the musical worlds of counterpoint, harmony and chord melody improvisation for the jazz guitar. the right and left hand fingerings presented in this book were also developed as techniques needed to improvise jazz in two lines. Jimmy uses very standard jazz guitar chord shapes in these etudes; however, these shapes move through the harmony in lines rather than block chord structures. This broken chord technique creates a unique contrapuntal sound that separates Jimmy from the rest of the fingerstyle jazz guitar world. It is hoped that jazz and classical guitarists playing and working through these etudes will see many familiar chord shapes moving in new ways and creating new sounds. These new harmonic sounds combined with beautiful melodies will inspire any quitarist to new levels of musical creativity. Written in notation and tablature. 92 pages.
Book Synopsis Fantasies of Improvisation by : Dana Gooley
Download or read book Fantasies of Improvisation written by Dana Gooley and published by Oxford University Press. This book was released on 2018-05-15 with total page 313 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first history of keyboard improvisation in European music in the postclassical and romantic periods, Fantasies of Improvisation: Free Playing in Nineteenth-Century Music documents practices of improvisation on the piano and the organ, with a particular emphasis on free fantasies and other forms of free playing. Case studies of performers such as Abbé Vogler, J. N. Hummel, Ignaz Moscheles, Robert Schumann, Carl Loewe, and Franz Liszt describe in detail the motives, intentions, and musical styles of the nineteenth century's leading improvisers. Grounded in primary sources, the book further discusses the reception and valuation of improvisational performances by colleagues, audiences, and critics, which prompted many keyboardists to stop improvising. Author Dana Gooley argues that amidst the decline of improvisational practices in the first half of the nineteenth century there emerged a strong and influential "idea" of improvisation as an ideal or perfect performance. This idea, spawned and nourished by romanticism, preserved the aesthetic, social, and ethical values associated with improvisation, calling into question the supposed triumph of the "work."
Book Synopsis The Piano Improvisation Handbook by : Carl Humphries
Download or read book The Piano Improvisation Handbook written by Carl Humphries and published by Hal Leonard Corporation. This book was released on 2009 with total page 492 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The Piano Improvisation Handbook" offers a comprehensive overview of the practical skills and theoretical issues involved in mastering all forms of piano improvisation. It explores a wide range of styles, including classical, jazz, rock and blues. Whereas other books on improvisation typically offer little more than models for imitation and exercises for practising, this one adopts an approach specifically designed to encourage and enable independent creative exploration. The book contains a series of graded tutorial sections with musical examples on CD, as well as an extensive introductory section detailing the history of keyboard and piano improvisation, an appendix listing useful scales, chords, voicings and progressions across all keys, a bibliography and a discography. In addition to sections outlining how melody, harmony, rhythm, texture and form work in improvised piano music, there are sections devoted to explaining how ideas can be developed into continuous music and to exploring the process of finding a personal style. A key feature is the distinctive stress the author puts on the interconnectedness of jazz and classical music where improvisation is concerned. This book is best suited to those with at least some prior experience of learning the piano. However, the rudiments of both music theory and piano technique are covered in such a way that it can also serve as an effective basis for a self-sufficient course in creative piano playing.
Book Synopsis Harmony, Counterpoint & Improvisation Book 2 by : Benjamin Dale
Download or read book Harmony, Counterpoint & Improvisation Book 2 written by Benjamin Dale and published by Novello & Co Ltd.. This book was released on 2011-01-01 with total page 159 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the second volume of Harmony, Counterpoint & Improvisation, a textbook which offers each of these three facets as one organic course of study. The harmony section covers the whole technique of common chords and their inversions. Counterpoint is initially discussed as a vocal art and the early exercises explore the art of Palestrina and the English Tudor composers. In the improvisation section many keyboard techniques are introduced, such as transposition, chord progression and simple harmonisation.
Book Synopsis Music Theory Through Improvisation by : Ed Sarath
Download or read book Music Theory Through Improvisation written by Ed Sarath and published by Routledge. This book was released on 2013-07-04 with total page 434 pages. Available in PDF, EPUB and Kindle. Book excerpt: Designed for Music Theory courses, Music Theory Through Improvisation presents a unique approach to basic theory and musicianship training that examines the study of traditional theory through the art of improvisation. The book follows the same general progression of diatonic to non-diatonic harmony in conventional approaches, but integrates improvisation, composition, keyboard harmony, analysis, and rhythm. Conventional approaches to basic musicianship have largely been oriented toward study of common practice harmony from the Euroclassical tradition, with a heavy emphasis in four-part chorale writing. The author’s entirely new pathway places the study of harmony within improvisation and composition in stylistically diverse format, with jazz and popular music serving as important stylistic sources. Supplemental materials include a play-along audio in the downloadable resources for improvisation and a companion website with resources for students and instructors.
Book Synopsis Mendelssohn's Musical Education by : R. Larry Todd
Download or read book Mendelssohn's Musical Education written by R. Larry Todd and published by Cambridge University Press. This book was released on 1983-04-21 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is a study and critical edition of Mendelssohn's composition exercise book from his early period of study with Carl Friedrich Zelter (1819-1821). The workbook illustrates in considerable detail the young musician's struggle to master the rules of part writing and principles of counterpoint. Much of Zelter's systematic teaching method is grounded in the eighteenth-century theoretical tradition of Berlin; not surprisingly, the exercises bear the stamp of the music of J. S. Bach, which heavily influenced such Berlin musicians as C. P. E. Bach, C. F. C. Fasch, Marpurg, Kirnberger, Zelter and Mendelssohn. There is little doubt that the historicist attitude of the mature Mendelssohn - as seen in his efforts to revive the works of Bach and Handel and in his propensity toward strict contrapuntal techniques in his own music - was conditioned by these studies with Zelter. The publication of the workbook sheds new light on the early development of one ofthe most important nineteenth-century composers who, though affected by the new wave of romanticism that swept over Europe, never lost his respect for the past. No less important, the manuscript includes several previously unpublished pieces which rank among Mendelssohn's earliest compositions.
Book Synopsis Improvisation on the organ by : Hennie Schouten
Download or read book Improvisation on the organ written by Hennie Schouten and published by . This book was released on 1955 with total page 72 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Improvisation and Music Education by : Ajay Heble
Download or read book Improvisation and Music Education written by Ajay Heble and published by Routledge. This book was released on 2016-02-19 with total page 309 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book offers compelling new perspectives on the revolutionary potential of improvisation pedagogy. Bringing together contributions from leading musicians, scholars, and teachers from around the world, the volume articulates how improvisation can breathe new life into old curricula; how it can help teachers and students to communicate more effectively; how it can break down damaging ideological boundaries between classrooms and communities; and how it can help students become more thoughtful, engaged, and activist global citizens. In the last two decades, a growing number of music educators, music education researchers, musicologists, cultural theorists, creative practitioners, and ethnomusicologists have suggested that a greater emphasis on improvisation in music performance, history, and theory classes offers enormous potential for pedagogical enrichment. This book will help educators realize that potential by exploring improvisation along a variety of trajectories. Essays offer readers both theoretical explorations of improvisation and music education from a wide array of vantage points, and practical explanations of how the theory can be implemented in real situations in communities and classrooms. It will therefore be of interest to teachers and students in numerous modes of pedagogy and fields of study, as well as students and faculty in the academic fields of music education, jazz studies, ethnomusicology, musicology, cultural studies, and popular culture studies.
Book Synopsis The Routledge Handbook of Philosophy and Improvisation in the Arts by : Alessandro Bertinetto
Download or read book The Routledge Handbook of Philosophy and Improvisation in the Arts written by Alessandro Bertinetto and published by Routledge. This book was released on 2021-07-22 with total page 1133 pages. Available in PDF, EPUB and Kindle. Book excerpt: Over the last few decades, the notion of improvisation has enriched and dynamized research on traditional philosophies of music, theatre, dance, poetry, and even visual art. This Handbook offers readers an authoritative collection of accessible articles on the philosophy of improvisation, synthesizing and explaining various subjects and issues from the growing wave of journal articles and monographs in the field. Its 48 chapters, written specifically for this volume by an international team of scholars, are accessible for students and researchers alike. The volume is organized into four main sections: I Art and Improvisation: Theoretical Perspectives II Art and Improvisation: Aesthetical, Ethical, and Political Perspectives III Improvisation in Musical Practices IV Improvisation in the Visual, Narrative, Dramatic, and Interactive Arts Key Features: Treats improvisation not only as a stylistic feature, but also as an aesthetic property of artworks and performances as well as a core element of artistic creativity. Spells out multiple aspects of the concept of improvisation, emphasizing its relevance in understanding the nature of art. Covers improvisation in a wide spectrum of artistic domains, including unexpected ones such as literature, visual arts, games, and cooking. Addresses key questions, such as: - How can improvisation be defined and what is its role in different art forms? - Can improvisation be perceived as such, and how can it be aesthetically evaluated? - What is the relationship between improvisation and notions such as action, composition, expressivity, and authenticity? - What is the ethical and political significance of improvisation?
Download or read book Improvising Jazz written by Jerry Coker and published by Simon and Schuster. This book was released on 2010-06-15 with total page 148 pages. Available in PDF, EPUB and Kindle. Book excerpt: With musical scores and helpful charts, noted jazz educator and featured jazz soloist, Jerry Coker, gives the beginning performer and the curious listener insights into the art of jazz improvisation. Improvising Jazz gives the beginning performer and the curious listener alike insights into the art of jazz improvisation. Jerry Coker, teacher and noted jazz saxophonist, explains the major concepts of jazz, including blues, harmony, swing, and the characteristic chord progressions. An easy-to-follow self-teaching guide, Improvising Jazz contains practical exercises and musical examples. Its step-by-step presentation shows the aspiring jazz improviser how to employ fundamental musical and theoretical tools, such as melody, rhythm, and superimposed chords, to develop an individual melodic style.
Book Synopsis The Instant Composers Pool and Improvisation Beyond Jazz by : Floris Schuiling
Download or read book The Instant Composers Pool and Improvisation Beyond Jazz written by Floris Schuiling and published by Routledge. This book was released on 2018-10-10 with total page 364 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Instant Composers Pool and Improvisation Beyond Jazz contributes to the expansion and diversification of our understanding of the jazz tradition by describing the history and practice of one of the most important non-American jazz groups: The Instant Composers Pool, founded in Amsterdam in 1967. The Instant Composers Pool describes the meaning of "instant composition" from both a historical and ethnographic perspective. Historically, it details instant composition’s emergence from the encounter between various overlapping transnational avant-gardes, including free jazz, serialism, experimental music, electronic music, and Fluxus. The author shows how the improvising musicians not only engaged with the cultural politics of ethnicity and race involved in the negotiation of the boundaries of jazz as a cultural practice, but transformed the meaning of music in society—particularly the nature of improvisation and performance. Ethnographically, The Instant Composers Pool encourages readers to reconsider the conceptual tools we use to describe music performance, improvisation, and creativity. It takes the practice of "instant composition" as an opportunity to reflect on music performance as a social practice, which is crucial not only for jazz studies, but for general music scholarship.
Book Synopsis Playing Solo Jazz Piano by : Jeremy Siskind
Download or read book Playing Solo Jazz Piano written by Jeremy Siskind and published by Jeremy Siskind Music Publishing. This book was released on 2024-01-16 with total page 195 pages. Available in PDF, EPUB and Kindle. Book excerpt: Playing Solo Jazz Piano is an essential new book for creative jazz pianists. The second edition adds two new chapters and audiovisual content to the original. Readers will learn essential solo jazz piano concepts like stride piano, one-handed shell voicings, comping, using basslines, shared-hand voicings, leaving out the bass, and playing ballads. Plus, the book explores modern approaches to solo jazz piano including perpetual motion, counterpoint, and borrowing from classical music. With over 200 musical examples, references to over 100 jazz pianists, and numerous hands-on exercises, Playing Solo Jazz Piano is the perfect how-to for passionate, innovative pianists. " Jeremy has done a remarkable job of organizing the whole history of jazz piano in the book you now hold. It is concise and yet open-ended simultaneously. All of the important concepts and historical styles are here, and presented in a way that is thorough and that will also stimulate you to investigate, listen, experiment and have fun with the world of solo jazz piano." - Fred Hersch, jazz pianist, fifteen-time Grammy nominee "Jeremy Siskind’s book takes solo pianistson a journey from basic concepts to a real musical conversation: between both hands, across jazz tradition, with textures and rhythms, counterpoint and new harmonies. There’s a wealth of musical ideas here: how to efficiently practice, creatively delveinto a song, and musically tell a story." - Tamir Hendelman, pianist (Jeff Hamilton Trio, UCLA lecturer, recording artist) “ I’ve been waiting for this book! Jeremy Siskind presents a cogent and stimulating series of techniques and approaches to creative solo piano playing, rooted in the tradition while inviting both students and professionals to find their own voice and musical personality. The material is historically informed, well-organized, and specific, yet quite open-ended and fun to read and practice. Early and often, the book provides excellent guidance on how to develop the oft-neglected left hand. Finally, the lists of recommended recorded examples from the music’s solo piano masters are an invaluable asset.” - Jason Yeager, Assistant Professor of Piano, Berklee College of Music “ Playing Solo Jazz Piano is an extraordinarily comprehensive text on a complex subject. Jeremy expertly covers a breadth of techniques and styles while introducing fresh concepts drawn from his own unique artistic experience. This book is an invaluable resource for the beginner and advanced student alike." - David Meder, Assistant Professor of Piano, University of North Texas Author Jeremy Siskind is the student of Fred Hersch and the teacher of widely-hailed prodigy Justin-Lee Schultz. A top finisher in several national and international jazz piano competitions, Siskind is a two-time laureate of the American Pianists Association and the winner of the Nottingham International Jazz Piano Competition. Besides a performance career in which he has been praised as “a genuine visionary” (Indianapolis Star) who “seems to defy all boundaries” (JazzInk), Siskind is an active teacher, including as a faculty member at Western Michigan University and Fullerton College. The author of over fifteen pedagogical books, Siskind chairs the Creative Track for the National Conference for Keyboard Pedagogy and serves as a regular clinician for Yamaha Music Education. He regularly travels too spread peace through music in places like Lebanon, Cyprus, Thailand, China, India, Colombia, and Tunisia with the organization Jazz Education Abroad.
Book Synopsis Improvising Fugue by : John J. Mortensen
Download or read book Improvising Fugue written by John J. Mortensen and published by Oxford University Press. This book was released on 2023 with total page 361 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This book lays out a gradual and clear method by which performers on piano, harpsichord, organ, or digital keyboards may learn to improvise fugues in eighteenth century style. The first half of the book is a comprehensive course in Italian partimento, the pedagogical system that simultaneously trains musicians in harmony, counterpoint, keyboard style, improvisation, composition, and audiation. In order to teach partimento, the book draws upon the treatises of Italian masters such as Giovanni Furno, Fedele Fenaroli, and Francesco Durante. After building a foundation through partimento, the book presents a gradual approach to improvising fugues, drawing upon the fugue d'ecole (academic fugue) tradition of the Paris Conservatoire in the nineteenth century. Particular attention is paid to the fugue treatise of André Gedalge. Each concept is accompanied by practical exercises; readers will find detailed instruction at every level of their journey into improvisation. The book concludes with exercises in improvising complete fugues on a wide variety of musical themes"--
Download or read book Texan Jazz written by Dave Oliphant and published by University of Texas Press. This book was released on 1996 with total page 500 pages. Available in PDF, EPUB and Kindle. Book excerpt: While Texans Jazz includes Anglo Texan and Latino Texan musicians, its great strength is its record of the historic contributions to jazz made by African-American Texans.
