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Classical Film Violence
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Book Synopsis Classical Film Violence by : Stephen Prince
Download or read book Classical Film Violence written by Stephen Prince and published by Rutgers University Press. This book was released on 2003 with total page 350 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examines the interplay between the aesthetics and the censorship of violence in classic Hollywood films from 1930 to 1968, the era of the Production Code, when filmmakers were required to have their scripts approved before they could start production. A stylistic history of American screen violence that is grounded in industry documentation. [back cover].
Book Synopsis Violence and American Cinema by : J. David Slocum
Download or read book Violence and American Cinema written by J. David Slocum and published by Routledge. This book was released on 2013-09-13 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: American cinema has always been violent, and never more so than now: exploding heads, buses that blow up if they stop, racial attacks, and general mayhem. From slapstick's comic violence to film noir, from silent cinema to Tarantino, violence has been an integral part of America on screen. This new volume in a successful series analyzes violence, examining its nature, its effects, and its cinematic and social meaning.
Book Synopsis Transfigurations by : Asbjørn Grønstad
Download or read book Transfigurations written by Asbjørn Grønstad and published by Amsterdam University Press. This book was released on 2008 with total page 278 pages. Available in PDF, EPUB and Kindle. Book excerpt: In many senses, viewers have cut their teeth on the violence in American cinema: from Anthony Perkins slashing Janet Leigh in the most infamous of shower scenes; to the 1970s masterpieces of Martin Scorsese, Sam Peckinpah and Francis Ford Coppola; to our present-day undertakings in imagining global annihilations through terrorism, war, and alien grudges. Transfigurations brings our cultural obsession with film violence into a renewed dialogue with contemporary theory. Grønstad argues that the use of violence in Hollywood films should be understood semiotically rather than viewed realistically; Tranfigurations thus alters both our methodology of reading violence in films and the meanings we assign to them, depicting violence not as a self-contained incident, but as a convoluted network of our own cultural ideologies and beliefs.
Download or read book The Horror Film written by Stephen Prince and published by . This book was released on 2004 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this volume, Stephen Prince has collected essays reviewing the history of the horror film and the psychological reasons for its persistent appeal, as well as discussions of the developmental responses of young adult viewers and children to the genre. The book focuses on recent postmodern examples such as The Blair Witch Project. In a daring move, the volume also examines Holocaust films in relation to horror. Part One features essays on the silent and classical Hollywood eras. Part Two covers the postWorld War II era and discusses the historical, aesthetic, and psychological characteristics of contemporary horror films. In contrast to horror during the classical Hollywood period, contemporary horror features more graphic and prolonged visualizations of disturbing and horrific imagery, as well as other distinguishing characteristics. Princes introduction provides an overview of the genre, contextualizing the readings that follow. Stephen Prince is professor of communications at Virginia Tech. He has written many film books, including Classical Film Violence: Designing and Regulating Brutality in Hollywood Cinema, 19301968, and has edited Screening Violence, also in the Depth of Field Series.
Download or read book The Horror Film written by Stephen Prince and published by Rutgers University Press. This book was released on 2004-02-09 with total page 281 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this volume, Stephen Prince has collected essays reviewing the history of the horror film and the psychological reasons for its persistent appeal, as well as discussions of the developmental responses of young adult viewers and children to the genre. The book focuses on recent postmodern examples such as The Blair Witch Project. In a daring move, the volume also examines Holocaust films in relation to horror. Part One features essays on the silent and classical Hollywood eras. Part Two covers the postWorld War II era and discusses the historical, aesthetic, and psychological characteristics of contemporary horror films. In contrast to horror during the classical Hollywood period, contemporary horror features more graphic and prolonged visualizations of disturbing and horrific imagery, as well as other distinguishing characteristics. Princes introduction provides an overview of the genre, contextualizing the readings that follow. Stephen Prince is professor of communications at Virginia Tech. He has written many film books, including Classical Film Violence: Designing and Regulating Brutality in Hollywood Cinema, 19301968, and has edited Screening Violence, also in the Depth of Field Series.
Book Synopsis The Scene of Violence by : Alison Young
Download or read book The Scene of Violence written by Alison Young and published by Routledge. This book was released on 2009-12-04 with total page 196 pages. Available in PDF, EPUB and Kindle. Book excerpt: A crucial question in the analysis of legal practices concerns the processes of identification with, in and as law – a question of how and by what route law achieves its ends. While it is conventional to interpret the practices of law through the institutional sources of the legal tradition, The Scene of Violence considers how law and legal practices figure in the cultural field; and, specifically, in film.
Book Synopsis Screening Violence 1 by : Stephen Prince
Download or read book Screening Violence 1 written by Stephen Prince and published by A&C Black. This book was released on 2001-01-01 with total page 294 pages. Available in PDF, EPUB and Kindle. Book excerpt: Following the release in 1967 of "Bonnie and Clyde" and "The Dirty Dozen", violence has been seen as a defining feature of the modern film. Is it art or exploitation? Danger or liberation? This volume provides an exmination of the history and effects of graphic violence on film.
Book Synopsis "A History of Violence" meets a History of Classical Cinema by : Malte Can
Download or read book "A History of Violence" meets a History of Classical Cinema written by Malte Can and published by GRIN Verlag. This book was released on 2011 with total page 25 pages. Available in PDF, EPUB and Kindle. Book excerpt: Studienarbeit aus dem Jahr 2011 im Fachbereich Filmwissenschaft, Filmakademie Baden-Württemberg in Ludwigsburg, Sprache: Deutsch, Abstract: Der Stempel Mainstream verheißt in den seltensten Fällen etwas "Gutes"1. Im Gegenteil: Selbst in jenen Besprechungen, die einen massenwirksamen Film als gelungene Ausnahme markieren, stigmatisieren sie meist im gleichen Atemzug a priori die Gattung als Ganzes als etwas, was sich geistig nicht lohne.2 Oder unternehmen Versuche, die Ausnahme wieder ins stereotype Licht zurückzusetzen3, in dem auf die außergewöhnliche Voraussetzungen, die zu diesem einzigartigen Resultat geführt haben, mehr eingegangen wird, als auf den Film (als Text) selbst. A HISTORY OF VIOLENCE gehört als sog. Ausnahme in den Kern dieser Debatte, wird er von Kritikern als Cronenbergs kommerziellste Arbeit eingeschätzt4 und zugleich dafür kritisiert, wenn Der Tagespiegel gar fragt, ob Cronenberg sich etwa in den Mainstream verirrt habe5; suggerierend, dass dieser Begriff ein Universum sei, das man tunlichst zu meiden habe. Erstaunlich ist dabei, dass das mit Kitsch und Eskapismus assoziierte "Unwort" schwerlich von der Zielgruppe selbst verwendet wird, wird man den "Mainstreambegriff kaum im Foyer eines Multiplex"6 hören. Als habe die Kritik exklusiv für sich gepachtet um mittels dieses Vokabulars zwischen Kunst und Massenware zu polarisieren, wenn im Mainstream mal wieder ein minderwertiges "Kino der anderen"7 gesehen werden soll. Dabei wird selten selbst ein objektiver Begriff dieser Gattung vorgenommen. Am Beispiel von Cronenbergs A HISTORY OF VIOLENCE soll dargestellt und diskutiert werden, wie sich im Mainstreamkino Erzählweisen herausgebildet haben, die von den idealtypischen Merkmalen des Classical Cinema of Narration (nach David Bordwell) signifikant abweichen respektive ob diese "Flexibilisierungen der (Erzähl-)Konzepte"8 überhaupt noch von einem eindeutigen, abweichbaren Schemata des Unterhaltungskinos ausgehen können oder ob es selbst nicht vielmehr
Book Synopsis The Horrors of Trauma in Cinema by : Michael Elm
Download or read book The Horrors of Trauma in Cinema written by Michael Elm and published by Cambridge Scholars Publishing. This book was released on 2014-10-02 with total page 355 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume explores the multifaceted depiction and staging of historical and social traumata as the result of extreme violence within national contexts. It focuses on Israeli-Palestinian, German and (US) American film, and reaches out to cinematic traditions from other countries like France, Great Britain and the former USSR. International and interdisciplinary scholars analyze both mainstream and avant-garde movies and documentaries premiering from the 1960s to the present. From transnational and cross-genre perspectives, they query the modes of representation – regarding narration, dramaturgy, aesthetics, mise-en-scène, iconology, lighting, cinematography, editing and sound – held by film as a medium to visualize shattering experiences of violence and their traumatic encoding in individuals, collectives, bodies and psyches. This anthology uniquely traces horror aesthetics and trajectories as a way to reenact, echo and question the perpetual loops of trauma in film cultures. The contributors examine the discursive transfer between historical traumata necessarily transmitted in a medialized and conceptualized form, the changing landscape of (clinical) trauma theory, the filmic depiction and language of trauma, and the official memory politics and hegemonic national-identity constructions.
Download or read book The Horror Film written by Stephen Prince and published by Rutgers University Press. This book was released on 2004 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: Focusing on recent postmodern examples, this is a collection of essays reviewing the history of the horror film and the psychological reasons for its persistent appeal.
Book Synopsis Aesthetic Violence and Women in Film by : Joseph H. Kupfer
Download or read book Aesthetic Violence and Women in Film written by Joseph H. Kupfer and published by Routledge. This book was released on 2018-03-05 with total page 136 pages. Available in PDF, EPUB and Kindle. Book excerpt: Aesthetic Violence and Women in Film is a highly readable and timely analysis of the intersection of two recent cinematic trends in martial arts films: aesthetic violence and warrior women. Joseph Kupfer establishes specific categories of aesthetic film violence, including hyper-violence, a visual style that emphasizes the sensuous surface of physical destruction and surreal violence, when spectacular imagery and gravity-defying dance replace blood and gore. He then goes on to outline the ascendancy during the past decades of female characters to the status of hero in action films. Interweaving these two subjects, the book reveals how women warriors instigate and animate the models of aesthetic violence introduced. The hyper-violence of Kill Bill celebrates the triumphs of the Bride, whose maiming and dismemberment of enemies produce brilliant red plumes and silvered geysers of blood. The surrealistic violence in Crouching Tiger, Hidden Dragon and The House of Flying Daggers creatively elevates violence from earthbound mayhem to an enchanting aerial display of female-dominated acrobatics. Both film-stories are driven by the plight and aspirations of female combatants, suggesting an affinity between women and the transfiguration of fighting wrought by surrealistic violence. By elevating the significance of violence in action films and linking it together with the growing popularity of central female characters in this genre, Aesthetic Violence and Women in Film will be of interest to students and scholars in film studies, popular culture, gender studies, aesthetics, and social philosophy.
Book Synopsis The Palgrave Handbook of Violence in Film and Media by : Steve Choe
Download or read book The Palgrave Handbook of Violence in Film and Media written by Steve Choe and published by Springer Nature. This book was released on 2022-11-09 with total page 528 pages. Available in PDF, EPUB and Kindle. Book excerpt: The chapters contained in this handbook address key issues concerning the aesthetics, ethics, and politics of violence in film and media. In addition to providing analyses of representations of violence, they also critically discuss the phenomenology of the spectator, images of atrocity in international cinema, affect and documentary, violent video games, digital infrastructures, cruelty in art cinema, and media and state violence, among many other relevant topics. The Palgrave Handbook of Violence in Film and Media updates existing studies dealing with media and violence while vastly expanding the scope of the field. Representations of violence in film and media are ubiquitous but remain relatively understudied. Too often they are relegated to questions of morality, taste, or aesthetics while judgments about violence can themselves be subjected to moral judgment. Some may question whether objectionable images are worthy of serious scholarly attention at all. While investigating key examples, the chapters in this handbook consider both popular and academic discourses to understand how representations of violence are interpreted and discussed. They propose new approaches and raise novel questions for how we might critically think about this urgent issue within contemporary culture.
Book Synopsis Violence in the Films of Stephen King by : Michael J. Blouin
Download or read book Violence in the Films of Stephen King written by Michael J. Blouin and published by Rowman & Littlefield. This book was released on 2021-07-29 with total page 233 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Violence in the Films of Stephen King, contributors analyze the theme of violence in the film adaptations of Stephen King’s work—ranging from the earliest films in the King canonto his most recent iterations—through a variety of lenses. Investigating the diverse and varying roles that violence continues to play as both the level of violence and the gendered depictions of violence have evolved, many of the contributors come to the conclusion that King’s films have grown more violent over time. This book also examines the fine line between necessary violence and sensationalist violence, discussing the complexity of determining what constitutes violence with a narrative and ethical significance versus violence intended solely to titillate, repulse, or otherwise draw an emotional reaction from viewers. Scholars of film studies, horror studies, literary studies, and gender studies will find this book particularly useful.
Book Synopsis Classic American Films by : William Baer
Download or read book Classic American Films written by William Baer and published by Bloomsbury Publishing USA. This book was released on 2007-11-30 with total page 295 pages. Available in PDF, EPUB and Kindle. Book excerpt: Classic American Films explores the origin and development of many of the most influential and revered films in cinema history, and does so with the aid and insight of the people who actually wrote the screenplays. These lively, candid, in-depth interviews are filled with fascinating new material (details, anecdotes, judgments, and opinions) about the creative and collaborative processes that went into the making of these extraordinary films. In the past, Hollywood screenwriters—the original artists—have often been overlooked. This book is a special tribute to the invaluable contributions of these cinematic visionaries, many of whom are considered among the greatest screenwriters in American film history. As Orson Welles once said, In my opinion, the writer should have the first and last word in filmmaking. This book allows them to have that exciting opportunity. Some of the highlights from these interviews include: Betty Comden and Adolph Green's explaining how a nightclub skit became the premise for Singin' in the Rain; Ernest Lehman's description of how, while in conversation with Hitchcock, his unconscious suddenly solved the plot problems in North by Northwest; Carl Gottlieb's remembrance of the terrible pressure involved with writing the script for Jaws while shooting was already underway; and Sylvester Stallone's account of how he received final approval to star in Rocky from studio executives who thought he was just another actor.
Book Synopsis Hollywood Bloodshed by : James Kendrick
Download or read book Hollywood Bloodshed written by James Kendrick and published by SIU Press. This book was released on 2009-03-30 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Hollywood Bloodshed, James Kendrick presents a fascinating look into the political and ideological instabilities of the 1980s as studied through the lens of cinema violence. Kendrick uses in-depth case studies to reveal how dramatic changes in the film industry and its treatment of cinematic bloodshed during the Reagan era reflected shifting social tides as Hollywood struggled to find a balance between the lucrative necessity of screen violence and the rising surge of conservatism. As public opinion shifted toward the right and increasing emphasis was placed on issues such as higher military spending, family values, and “money culture,” film executives were faced with an epic dilemma: the violent aspects of cinema that had been the studios’ bread and butter were now almost universally rejected by mainstream audiences. Far from eliminating screen bloodshed altogether, studios found new ways of packaging violence that would allow them to continue to attract audiences without risking public outcry, ushering in a period of major transition in the film industry. Studios began to shy away from the revolutionary directors of the 1970s—many of whom had risen to fame through ideologically challenging films characterized by a more disturbing brand of violence—while simultaneously clearing the way for a new era in film. The 1980s would see the ascent of entertainment conglomerates and powerful producers and the meteoric rise of the blockbuster—a film with no less violence than its earlier counterparts, but with action-oriented thrills rather than more troubling images of brutality. Kendrick analyzes these and other radical cinematic changes born of the conservative social climate of the 1980s, including the disavowal of horror films in the effort to present a more acceptable public image; the creation of the PG-13 rating to designate the gray area of movie violence between PG and R ratings; and the complexity of marketing the violence of war movies for audience pleasure. The result is a riveting study of an often overlooked, yet nevertheless fascinating time in cinema history. While many volumes have focused on the violent films of the New American Cinema directors of the 1970s or the rise of icons such as Woo, Tarantino, and Rodriguez in the 1990s, Kendrick’s Hollywood Bloodshed bridges a major gap in film studies.This comprehensive volume offers much-needed perspective on a decade that altered the history of Hollywood—and American culture—forever.
Book Synopsis Violence and American Cinema by : J. David Slocum
Download or read book Violence and American Cinema written by J. David Slocum and published by Routledge. This book was released on 2013-09-13 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: American cinema has always been violent, and never more so than now: exploding heads, buses that blow up if they stop, racial attacks, and general mayhem. From slapstick's comic violence to film noir, from silent cinema to Tarantino, violence has been an integral part of America on screen. This new volume in a successful series analyzes violence, examining its nature, its effects, and its cinematic and social meaning.
Download or read book Firestorm written by Stephen Prince and published by Columbia University Press. This book was released on 2009-08-07 with total page 401 pages. Available in PDF, EPUB and Kindle. Book excerpt: It was believed that September 11th would make certain kinds of films obsolete, such as action thrillers crackling with explosions or high-casualty blockbusters where the hero escapes unscathed. While the production of these films did ebb, the full impact of the attacks on Hollywood's creative output is still taking shape. Did 9/11 force filmmakers and screenwriters to find new methods of storytelling? What kinds of movies have been made in response to 9/11, and are they factual? Is it even possible to practice poetic license with such a devastating, broadly felt tragedy? Stephen Prince is the first scholar to trace the effect of 9/11 on the making of American film. From documentaries like Fahrenheit 9/11 (2004) to zombie flicks, and from fictional narratives such as The Kingdom (2007) to Mike Nichols's Charlie Wilson's War (2007), Prince evaluates the extent to which filmmakers have exploited, explained, understood, or interpreted the attacks and the Iraq War that followed, including incidents at Abu Ghraib. He begins with pre-9/11 depictions of terrorism, such as Alfred Hitchcock's Sabotage (1936), and follows with studio and independent films that directly respond to 9/11. He considers documentary portraits and conspiracy films, as well as serial television shows (most notably Fox's 24) and made-for-TV movies that re-present the attacks in a broader, more intimate way. Ultimately Prince finds that in these triumphs and failures an exciting new era of American filmmaking has taken shape.
