Film Form

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Publisher : HMH
ISBN 13 : 0547539479
Total Pages : 303 pages
Book Rating : 4.5/5 (475 download)

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Book Synopsis Film Form by : Sergei Eisenstein

Download or read book Film Form written by Sergei Eisenstein and published by HMH. This book was released on 2014-06-17 with total page 303 pages. Available in PDF, EPUB and Kindle. Book excerpt: A classic on the aesthetics of filmmaking from the pioneering Soviet director who made Battleship Potemkin. Though he completed only a half-dozen films, Sergei Eisenstein remains one of the great names in filmmaking, and is also renowned for his theory and analysis of the medium. Film Form collects twelve essays, written between 1928 and 1945, that demonstrate key points in the development of Eisenstein’s film theory and in particular his analysis of the sound-film medium. Edited, translated, and with an introduction by Jay Leyda, this volume allows modern-day film students and fans to gain insights from the man who produced classics such as Alexander Nevsky and Ivan the Terrible and created the renowned “Odessa Steps” sequence.

The Cinema of Eisenstein

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Publisher : Routledge
ISBN 13 : 1000159094
Total Pages : 372 pages
Book Rating : 4.0/5 (1 download)

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Book Synopsis The Cinema of Eisenstein by : David Bordwell

Download or read book The Cinema of Eisenstein written by David Bordwell and published by Routledge. This book was released on 2020-10-07 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Cinema of Eisenstein is David Bordwell's comprehensive analysis of the films of Sergei Eisenstein, arguably the key figure in the entire history of film. The director of such classics as Potemkin, Ivan the Terrible, October, Strike, and Alexander Nevsky, Eisenstein theorized montage, presented Soviet realism to the world, and mastered the concept of film epic. Comprehensive, authoritative, and illustrated throughout, this classic work deserves to be on the shelf of every serious student of cinema.

The Film Sense

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Publisher : Houghton Mifflin Harcourt
ISBN 13 : 9780156309356
Total Pages : 316 pages
Book Rating : 4.3/5 (93 download)

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Book Synopsis The Film Sense by : Sergei Eisenstein

Download or read book The Film Sense written by Sergei Eisenstein and published by Houghton Mifflin Harcourt. This book was released on 1947 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt: A renowned Soviet director discusses his theory of film as an artistic medium which must appeal to all senses and applies it to an analysis of sequences from his major movies.

Movement, Action, Image, Montage

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Publisher :
ISBN 13 : 9781517903206
Total Pages : 249 pages
Book Rating : 4.9/5 (32 download)

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Book Synopsis Movement, Action, Image, Montage by : Luka Arsenjuk

Download or read book Movement, Action, Image, Montage written by Luka Arsenjuk and published by . This book was released on 2018 with total page 249 pages. Available in PDF, EPUB and Kindle. Book excerpt: Luka Arsenjuk considers Sergei Eisenstein as a filmmaker and a theorist, drawing on philosophers such as G.W.F. Hegel and Gilles Deleuze - as well as Eisenstein's untranslated texts - to reframe how we think about the great director and his legacy.

Christophe Honoré

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Publisher :
ISBN 13 : 9780814338636
Total Pages : 0 pages
Book Rating : 4.3/5 (386 download)

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Book Synopsis Christophe Honoré by : David A. Gerstner

Download or read book Christophe Honoré written by David A. Gerstner and published by . This book was released on 2015 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Studies Honoré as an auteur who intervenes in French filmmaking practices and culture with a queer "caméra-stylo."

The Montage Principle

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Publisher : Rodopi
ISBN 13 : 9789042008984
Total Pages : 266 pages
Book Rating : 4.0/5 (89 download)

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Book Synopsis The Montage Principle by : Jean Antoine-Dunne

Download or read book The Montage Principle written by Jean Antoine-Dunne and published by Rodopi. This book was released on 2004 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book of essays is quite unique in that it intervenes in a still contested area within many universities, that of the relevance of film to literature, critical theory, politics, sociology and anthropology. The essays were commissioned by Jean Antoine-Dunne whose research has explored the impact of Eisenstein s aesthetics on different areas of modernist literature and drama. The essays in this collection use Eisenstein as a point of departure into divergent fields of analysis and are concerned with the principle of montage as a transforming idea. They gather within the pages of one work contributions from Geoffrey Nowell-Smith, Richard Taylor, Paul Willemen and emerging scholars entering and altering the field of interdisciplinary scholarship, film and literature. These hitherto unpublished essays not only extend and elaborate on previous treatments of Eisenstein and montage in areas such as semiotics, film theory, and feminist film practice, but also introduce his work to areas which have not yet been considered in relation to Eisenstein and montage, such as Beckett scholarship, Caribbean aesthetics, Third Cinema, and debates around digital imagery. No other collection of essays has explored the idea of montage as a structuring cultural and critical principle and the elasticity of Eisenstein's legacy in quite this way.

Eisenstein, Cinema, and History

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Publisher : University of Illinois Press
ISBN 13 : 9780252062698
Total Pages : 284 pages
Book Rating : 4.0/5 (626 download)

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Book Synopsis Eisenstein, Cinema, and History by : James Goodwin

Download or read book Eisenstein, Cinema, and History written by James Goodwin and published by University of Illinois Press. This book was released on 1993 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: Among early directors, Sergei Eisentein stands alone as the maker of a fully historical cinema. James Goodwin treats issues of revolutionary history and historical representation as central to an understanding of Eisentein's work, which explores two movements within Soviet history and consciousness: the Bolshevik Revolution and the Stalinist state. Goodwin articulates intersections between Eisentein's ideas and aspects of the thought of Walter Benjamin, Georg Lukács, Ernst Bloch, and Bertolt Brecht. He also shows how the formal properties and filmic techniques of each work reveal perspectives on history . Individual chapters focus on Strike, Battleship Potemkin, October, Old and New, projects of the 1930s, Alexander Nevsky, and Ivan the Terrible.

Film Technique and Film Acting

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Publisher : Read Books Ltd
ISBN 13 : 1446547353
Total Pages : 346 pages
Book Rating : 4.4/5 (465 download)

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Book Synopsis Film Technique and Film Acting by : Vsevolod Illarionovich Pudovkin

Download or read book Film Technique and Film Acting written by Vsevolod Illarionovich Pudovkin and published by Read Books Ltd. This book was released on 2013-04-16 with total page 346 pages. Available in PDF, EPUB and Kindle. Book excerpt: This vintage book contains two pioneering volumes on the subject of film making by V.I. Pudovkin. Considered two of the most valuable manuals of the practice and theory of film making ever written, these texts will prove invaluable for the student or film enthusiast, and are not to be missed by discerning collectors of such literature. The chapters of this volume include: 'The Film Scenario and Its Theory', 'Film Director and Film Material', 'Types Instead of Actors', 'Close-Ups in Time', 'Asynchronism as a Principle of Sound Film', 'Rhythmic Problems in my First Sound Film', 'Notes and Appendices', 'Film Acting', et cetera. Vsevolod Illarionovich Pudovkin (1893 – 1953) was a Russian film director, screenwriter, and actor, famous for developing influential theories of montage. This volume is being republished now complete with a new prefatory biography of the author.

Cinema According to Eisenstein

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Publisher :
ISBN 13 :
Total Pages : 138 pages
Book Rating : 4.:/5 (278 download)

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Book Synopsis Cinema According to Eisenstein by : Maciej Antoni Sliwowski

Download or read book Cinema According to Eisenstein written by Maciej Antoni Sliwowski and published by . This book was released on 1973 with total page 138 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Eisenstein on Paper

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Publisher : National Geographic Books
ISBN 13 : 0500093938
Total Pages : 0 pages
Book Rating : 4.5/5 ( download)

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Book Synopsis Eisenstein on Paper by : Naum Kleiman

Download or read book Eisenstein on Paper written by Naum Kleiman and published by National Geographic Books. This book was released on 2017-10-17 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first comprehensive book on the extensive, yet rarely seen, graphic works of pioneering filmmaker Sergei Eisenstein Sergei Eisenstein is regarded as one of cinema’s greatest revolutionaries. Less well known is that he was also a prolific graphic artist who drew compulsively as a means of expressing his ideas. Arranged chronologically, Eisenstein on Paper is divided into six chapters, each prefaced by short texts relating to the graphic works of each distinct period, and interwoven with excerpts from Eisenstein’s own essays and diary entries. In 1930 Eisenstein traveled to the United States and then Mexico, where he produced hundreds of drawings influenced by ancient and contemporary Mexican art. Forced to return to Russia in 1932, Eisenstein came under the scrutiny of the Communist government and, struggling to make further films without political interference, turned again to sketching for artistic freedom. By the end of his life, he had pared his style down to the utmost simplicity and sincerity. Despite completing relatively few films in his lifetime, Eisenstein made several thousand drawings. Eisenstein on Paper is the product of a groundbreaking collaboration with RGALI, the Russian State Archive of Arts and Literature, and is a fitting tribute to an incredible graphic talent.

Sergei M. Eisenstein

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Publisher : Amsterdam University Press
ISBN 13 : 9048517117
Total Pages : 546 pages
Book Rating : 4.0/5 (485 download)

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Book Synopsis Sergei M. Eisenstein by : Naum Kleiman

Download or read book Sergei M. Eisenstein written by Naum Kleiman and published by Amsterdam University Press. This book was released on 2016-06-03 with total page 546 pages. Available in PDF, EPUB and Kindle. Book excerpt: Sovjetregisseur en filmtheoreticus Sergei M. Eisenstein werkte in 1946 en 1947 een jaar voor zijn dood aan een algemene geschiedenis van de cinema. De manier waarop hij de geschiedschrijving van van de cinema benadert, is tegelijk fascinerend in haar ambitie en uiterst modern in haar methode. Eisenstein presenteert hier een virtuele wereldkaart van alle aan de bioscoop gerelateerde media, en ontwikkelt op hetzelfde moment een methode voor het schrijven van een geschiedenis die net als de cinema is gebaseerd op montage. De teksten van Eisenstein worden begeleid door een reeks kritische essays, geschreven door enkele van 's werelds meest gekwalificeerde Eisensteinkenners.

Sergei Eisenstein’s Montage Techniques and their Meanings in Comparison to Louis Buñuel’s "Un Chien Andalou"

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Author :
Publisher : GRIN Verlag
ISBN 13 : 3656859817
Total Pages : 17 pages
Book Rating : 4.6/5 (568 download)

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Book Synopsis Sergei Eisenstein’s Montage Techniques and their Meanings in Comparison to Louis Buñuel’s "Un Chien Andalou" by : Sandra Kuberski

Download or read book Sergei Eisenstein’s Montage Techniques and their Meanings in Comparison to Louis Buñuel’s "Un Chien Andalou" written by Sandra Kuberski and published by GRIN Verlag. This book was released on 2014-12-15 with total page 17 pages. Available in PDF, EPUB and Kindle. Book excerpt: Essay from the year 2011 in the subject Film Science, grade: 1,3, University of Essex (Film), course: Introduction to Film, language: English, abstract: In the 1930s the Soviet revolutionary cinema changed the former understanding of film editing, ahead of everyone Sergei Eisenstein (1898-1948), whose aim it was to promote the idea of political rebellion. Cinema was the easiest way to transport a political conviction to all people, from upper class to peasants, who were unable to read. Truth could be boring and so the events had to be dramatized to encourage imitation. This essay will examine the innovative montage techniques of Eisenstein and their meanings with emphasis on The Battleship Potemkin . In addition, a comparison to Louis Buñuel’s Un chien andalou , one of the most famous Surrealist films, will be drawn. The movement of Surrealism grew out of a Parisian society of artists, writers and filmmakers who tried to create an immediate translation of dreams, imagination and the unconscious. The recipient should be dissuaded from his habitual viewing or thinking patterns.

Oxford Bibliographies

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Publisher :
ISBN 13 :
Total Pages : pages
Book Rating : 4.:/5 (949 download)

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Book Synopsis Oxford Bibliographies by :

Download or read book Oxford Bibliographies written by and published by . This book was released on with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

Eisenstein at 100

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Publisher : Rutgers University Press
ISBN 13 : 9780813529707
Total Pages : 346 pages
Book Rating : 4.5/5 (297 download)

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Book Synopsis Eisenstein at 100 by : Albert J. LaValley

Download or read book Eisenstein at 100 written by Albert J. LaValley and published by Rutgers University Press. This book was released on 2001 with total page 346 pages. Available in PDF, EPUB and Kindle. Book excerpt: Like many other figures once closely associated with the Soviet state, the great Russian filmmaker Sergei Eisenstein has become the subject of renewed interest. A decade after the fall of the Soviet Union, and with fresh material on his life and art now available, a more complex picture of Eisenstein is emerging. This collection-featuring the work of major film theorists and Russian scholars-offers the first post-Soviet reconsideration of Eisenstein's contribution to world cinema. The contributors address themes previously avoided by Soviet critics, such as sexuality, religion, gender, and politics, in The Battleship Potemkin, October, Alexander Nevsky, and Ivan the Terrible. These films and others are also reassessed in light of a more thorough knowledge of Eisenstein's life and of the complicated historical, cultural, and political contexts in which he worked. Of particular concern here is Eisenstein's struggle with Soviet censorship, which resulted in a tenuous balance between the pressures of the state and his goals as an artist. Essays explore the manner in which Eisenstein's later theoretical writings reveal continuity with the more well known earlier work, issues of historical revisionism, and the relationship between autobiography and the films. Eisenstein's undeniable influence on his contemporaries and subsequent generations, as well as his reception by the film community and the public, are illuminated. Rather than fostering the popular image of Eisenstein as the "inventor" of film montage, the director of Potemkin, and the enthusiastic early supporter of the Bolsheviks, Eisenstein at 100 presents a much richer and more profound picture of Eisenstein the man, the director, and the film theorist.

Defining Cinema

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Publisher : Rutgers University Press
ISBN 13 : 9780813523026
Total Pages : 230 pages
Book Rating : 4.5/5 (23 download)

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Book Synopsis Defining Cinema by : Peter Lehman

Download or read book Defining Cinema written by Peter Lehman and published by Rutgers University Press. This book was released on 1997 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt: On film studies

Movement, Action, Image, Montage

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Publisher : U of Minnesota Press
ISBN 13 : 1452956057
Total Pages : 312 pages
Book Rating : 4.4/5 (529 download)

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Book Synopsis Movement, Action, Image, Montage by : Luka Arsenjuk

Download or read book Movement, Action, Image, Montage written by Luka Arsenjuk and published by U of Minnesota Press. This book was released on 2018-02-20 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: A major new study of Sergei Eisenstein delivers fresh, in-depth analyses of the iconic filmmaker’s body of work What can we still learn from Sergei Eisenstein? Long valorized as the essential filmmaker of the Russian Revolution and celebrated for his indispensable contributions to cinematic technique, Eisenstein’s relevance to contemporary culture is far from exhausted. In Movement, Action, Image, Montage, Luka Arsenjuk considers the auteur as a filmmaker and a theorist, drawing on philosophers such as Georg Wilhelm Friedrich Hegel and Gilles Deleuze—as well as Eisenstein’s own untranslated texts—to reframe the way we think about the great director and his legacy. Focusing on Eisenstein’s unique treatment of the foundational concepts of cinema—movement, action, image, and montage—Arsenjuk invests each aspect of the auteur’s art with new significance for the twenty-first century. Eisenstein’s work and thought, he argues, belong as much to the future as the past, and both can offer novel contributions to long-standing cinematic questions and debates. Movement, Action, Image, Montage brings new elements of Eisenstein’s output into academic consideration, by means ranging from sustained and comprehensive theorization of Eisenstein’s practice as a graphic artist to purposeful engagement with his recently published, unfinished book Method, still unavailable in English translation. This tour de force offers new and significant insights on Eisenstein’s oeuvre—the films, the art, and the theory—and is a landmark work on an essential filmmaker.

Notes of a Film Director

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Publisher : Constable
ISBN 13 :
Total Pages : 298 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis Notes of a Film Director by : Sergei Eisenstein

Download or read book Notes of a Film Director written by Sergei Eisenstein and published by Constable. This book was released on 1970 with total page 298 pages. Available in PDF, EPUB and Kindle. Book excerpt: Sergei Eisenstein is arguably the most important single figure in the history of movies. He was certainly the most versatile. The director of the masterpieces Battleship Potemkin and Alexander Nevsky, Eisenstein also wrote ground-breaking essays on film art and taught classes on motion picture production. In this book Eisenstein writes about himself and his films, about film directing and about artists he has worked with. The last chapter is his own drawings and sketches.