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Cantatas No 180 183
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Download or read book Schwann Opus written by and published by . This book was released on 1998 with total page 1204 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Third quartet, for piano, violin, viola and cello, op. 3 by : Felix Mendelssohn-Bartholdy
Download or read book Third quartet, for piano, violin, viola and cello, op. 3 written by Felix Mendelssohn-Bartholdy and published by . This book was released on 1984 with total page 80 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Quartet No. 3, for Piano, Violin, Viola and Cello in C Minor by : Johannes Brahms
Download or read book Quartet No. 3, for Piano, Violin, Viola and Cello in C Minor written by Johannes Brahms and published by . This book was released on 1900 with total page 72 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Choral-Orchestral Repertoire by : Jonathan D. Green
Download or read book Choral-Orchestral Repertoire written by Jonathan D. Green and published by Rowman & Littlefield. This book was released on 2019-12-05 with total page 747 pages. Available in PDF, EPUB and Kindle. Book excerpt: Choral-Orchestral Repertoire: A Conductor’s Guide, Omnibus Edition offers an expansive compilation of choral-orchestral works from 1600 to the present. Synthesizing Jonathan D. Green’s earlier six volumes on this repertoire, this edition updates and adds to the over 750 oratorios, cantatas, choral symphonies, masses, secular works for large and small ensembles, and numerous settings of liturgical and biblical texts for a wide variety of vocal and instrumental combinations. Each entry includes a brief biographical sketch of the composer, approximate duration, text sources, performing forces, available editions, and locations of manuscript materials, as well as descriptive commentary, a discography, and a bibliography. Unique to this edition are practitioner’s evaluations of the performance issues presented in each score. These include the range, tessitura, and nature of each solo role and a determination of the difficulty of the choral and orchestral portions of each composition. There is also a description of the specific challenges, staffing, and rehearsal expectations related to the performance of each work. Choral-Orchestral Repertoire is an essential resource for conductors and students of conducting as they search for repertoire appropriate to their needs and the abilities of their ensembles.
Book Synopsis The Cantatas of J. S. Bach by : Alfred Dürr
Download or read book The Cantatas of J. S. Bach written by Alfred Dürr and published by Oxford University Press. This book was released on 2005 with total page 985 pages. Available in PDF, EPUB and Kindle. Book excerpt: A work-by-work commentary on the Bach cantatas by the world's most famous Bach scholar, now available in English and in paperback for the first time. It includes all the cantata librettos in German-English parallel text. An indispensable reference book for anyone listening to, performing in, or studying any of the Bach cantatas.
Book Synopsis Johann Sebastian Bach by : Karl Geiringer
Download or read book Johann Sebastian Bach written by Karl Geiringer and published by Taylor & Francis. This book was released on 2024-11-01 with total page 350 pages. Available in PDF, EPUB and Kindle. Book excerpt: When it was originally published in 1967, this study of J.S. Bach was the first important work on the composer in nearly a generation. The many discoveries about Bach’s life and music that occurred in the postwar years created the need for a new interpretative study incorporating this research and this was the only book which incorporated the vast amount of material uncovered since 1950, the bicentennial of Bach’s death. The volume begins with a brief biography and is followed by an analysis of each major type of composition: vocal, organ, keyboard and instrumental music. In each section the author examines thoroughly many Bach compositions and evaluates them in relation to the rest of the composer’s work, as well as in relation to the music of his contemporaries. More than 70 music examples enable the reader to understand how Bach worked, the manner in which his genius developed and grew, and to see outstanding excerpts from his music in various stages of completion. An interesting aspect of research methods is revealed through an explanation of the detective work which has been done regarding handwriting, paper and watermarks in the original sources.
Book Synopsis Music of the Soviet Era: 1917-1991 by : Levon Hakobian
Download or read book Music of the Soviet Era: 1917-1991 written by Levon Hakobian and published by Routledge. This book was released on 2016-11-25 with total page 613 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume is a comprehensive and detailed survey of music and musical life of the entire Soviet era, from 1917 to 1991, which takes into account the extensive body of scholarly literature in Russian and other major European languages. In this considerably updated and revised edition of his 1998 publication, Hakobian traces the strikingly dramatic development of the music created by outstanding and less well-known, ‘modernist’ and ‘conservative’, ‘nationalist’ and ‘cosmopolitan’ composers of the Soviet era. The book’s three parts explore, respectively, the musical trends of the 1920s, music and musical life under Stalin, and the so-called ’Bronze Age’ of Soviet music after Stalin’s death. Music of the Soviet Era: 1917–1991 considers the privileged position of music in the USSR in comparison to the written and visual arts. Through his examination of the history of the arts in the Soviet state, Hakobian’s work celebrates the human spirit’s wonderful capacity to derive advantage even from the most inauspicious conditions.
Book Synopsis Polymath of the Baroque by : Colin Timms
Download or read book Polymath of the Baroque written by Colin Timms and published by Oxford University Press. This book was released on 2003-10-23 with total page 452 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first book to consider all aspects of the life of Agostino Steffani (1654-1728), a composer, diplomat, and bishop. A remarkable figure of the late 17th and early 18th century Europe, Steffani began his career as a composer, musician, and courtier, but his accomplishments brought him high-level positions in the courts of Germany and the Catholic Church. Throughout his diplomatic and ecclesiatical career, Steffani continued to compose chamber music, vocal chamber music, operas, and sacred music--works which inspired Handel and other Baroque composers.
Book Synopsis Complete works: Overtures by : Felix Mendelssohn-Bartholdy
Download or read book Complete works: Overtures written by Felix Mendelssohn-Bartholdy and published by . This book was released on 1900 with total page 54 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Aspects of the Secular Cantata in Late Baroque Italy by : Michael Talbot
Download or read book Aspects of the Secular Cantata in Late Baroque Italy written by Michael Talbot and published by Routledge. This book was released on 2017-07-05 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt: As shown by the ever-increasing volume of recordings, editions and performances of the vast repertory of secular cantatas for solo voice produced, primarily in Italy, in the second half of the seventeenth century and the first half of the eighteenth century, this long neglected genre has at last 'come of age'. However, scholarly interest is currently lagging behind musical practice: incredibly, there has been no general study of the Baroque cantata since Eugen Schmitz's handbook of 1914, and although many academic theses have examined microscopically the cantatas of individual composers, there has been little opportunity to view these against the broader canvas of the genre as a whole. The contributors in this volume choose aspects of the cantata relevant to their special interests in order to say new things about the works, whether historical, analytical, bibliographical, discographical or performance-based. The prime focus is on Italian-born composers working between 1650 and 1750 (thus not Handel), but the opportunity is also taken in one chapter (by Graham Sadler) to compare the French cantata tradition with its Italian parent in association with a startling new claim regarding the intended instrumentation. Many key figures are considered, among them Tomaso Albinoni, Giovanni Bononcini, Giovanni Legrenzi, Benedetto Marcello, Alessandro Scarlatti, Alessandro Stradella, Leonardo Vinci and Antonio Vivaldi. The poetic texts of the cantatas, all too often treated as being of little intrinsic interest, are given their due weight. Space is also found for discussions of the history of Baroque solo cantatas on disc and of the realization of the continuo in cantata arias - a topic more complex and contentious than may at first be apparent. The book aims to stimulate interest in, and to win converts to, this genre, which in its day equalled the instrumental sonata in importance, and in which more than a few composers invested a major part of their creativity.
Book Synopsis Baroque Woodwind Instruments by : Paul Carroll
Download or read book Baroque Woodwind Instruments written by Paul Carroll and published by Routledge. This book was released on 2017-07-05 with total page 196 pages. Available in PDF, EPUB and Kindle. Book excerpt: The late 17th century through to the end of the 18th century saw rapid progress in the development of woodwind instruments and the composition of a vast body of music for those instruments. During this period a large amount of music for domestic consumption was written for a growing amateur market, a market which has regrown in the latter part of the 20th century. The last 30 years has also seen the standard of performance by professionals on these instruments rise enormously. This book provides a guide to the history of the four main woodwind instruments of the Baroque, the flute, oboe, recorder and bassoon, and this is complemented by a repertoire list for each instrument. It also guides those interested towards a basic technique for playing these instruments - a certain level of musical literacy is assumed - and it can be used by students, professionals and amateurs. Advice is also given on buying a suitable reproduction instrument from a market where now virtually any Baroque instrument can be obtained as a faithful copy. This is the first book of its kind and has its origins in the wind tutors of the 18th century.
Book Synopsis Hungarian dances by : Johannes Brahms
Download or read book Hungarian dances written by Johannes Brahms and published by . This book was released on 1979 with total page 128 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Single-Voice Transformations by : Brandon Derfler
Download or read book Single-Voice Transformations written by Brandon Derfler and published by Cambridge Scholars Publishing. This book was released on 2010-01-08 with total page 215 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study demonstrates how smooth voice leading in music can be effectively modeled using concepts from abstract algebra. Minute voice-leading displacements are explained as iterations of the basic operation, the single-semitone transformation (SST). The SST is a type of transformation in which only a single voice in a chord is transposed by a semitone. Unlike previous music theoretic studies, the SST model does not rely on twelve-tone operations on sets to determine voice-leading paths. SST-succession classes can then be defined; they allow SSTs to be generalized as parsimonious voice-leading relations between pair-ordered set classes. Voice leading between chords of different “sizes” can be obtained through split and fuse operations. Once a mathematical basis for smooth voice-leading is formalized, 3D graphical representations in the form of lattices of parsimoniously related chord types can be developed. The study compares the single-voice transformational model to transformational theories of atonal voice leading and to recent work in the emergent field of neo-Riemannian theory. The final chapter examines music from tonal, atonal, and “post-atonal” stylistic periods by Chopin, Scriabin, Webern, Paul Lansky, and John Adams, showing the new voice-leading model’s versatility as an analytical tool.
Book Synopsis Mozart in Vienna by : Simon P. Keefe
Download or read book Mozart in Vienna written by Simon P. Keefe and published by Cambridge University Press. This book was released on 2017-09-21 with total page 719 pages. Available in PDF, EPUB and Kindle. Book excerpt: Comprehensive and engaging exploration of Mozart's greatest works, focussing on his dual roles as performer and composer in Vienna.
Book Synopsis The Eighteenth Century French Cantata by : David Tunley
Download or read book The Eighteenth Century French Cantata written by David Tunley and published by Oxford University Press. This book was released on 1997 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book, first published in 1974, has become the classic study of one of the most popular musical forms in early eighteenth-century France. It not only documents and examines a considerable repertoire for the first time, but it also places the genre in the wider context of both French and Italian baroque musical styles.
Book Synopsis Three Quartets for 2 Violins, Viola and Cello by : Felix Mendelssohn-Bartholdy
Download or read book Three Quartets for 2 Violins, Viola and Cello written by Felix Mendelssohn-Bartholdy and published by . This book was released on 1900 with total page 71 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Tears into Wine written by Eric Chafe and published by Oxford University Press. This book was released on 2015-05-01 with total page 632 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1714, the 29 year-old Johann Sebastian Bach was promoted to the position of concertmaster at the ducal court of Weimar. This post required him for the first time in his already established career to produce a regular stream of church cantatas-one cantata every four weeks. Among the most significant works of this period is Ich hatte viel Bekümmernis in meinem Herzen (Cantata 21). Generally known in English as "I had much affliction," Cantata 21 draws from several psalms and the Book of Revelations and offers a depiction of the spiritual ascent of the soul from intense tribulation to joy and exaltation. Although widely performed and loved by musicians, Cantata 21 has endured much criticism from scholars and critics who claim that the piece lacks organizational clarity and stylistic coherence. In Tears into Wine, renowned Bach scholar Eric Chafe challenges the scholarly consensus, arguing that Cantata 21 is an exceptionally carefully designed work, and that it displays a convergence of musical structure and theological purpose that is paradigmatic of Bach's sacred work as a whole. Drawing on a wide range of Lutheran theological writing, Chafe shows that Cantata 21 reaches beyond the scope of the individual liturgical occasion to voice a breadth of meaning that encompasses much of the core of Lutheran thought. Chafe artfully demonstrates that instead of simply presenting a musical depiction of the soul's journey from sorrow to bliss, Cantata 21 expresses the various stages of God's revelation and their impact on the believing soul. As a result, Chafe reveals that Cantata 21 has a formal design that mirrors Lutheran belief in unfolding revelation, with the final movement representing the work's "crown"--the goal toward which all of the earlier movements are directed. Complete with full text translations of the cantata and the liturgical readings that would have accompanied it at the first performance, Tears into Wine is a monumental book that is ideally suited for Bach scholars and students, as well as those generally interested in the relationship between theology and music.