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Byzantine Wall Painting In Asia Minor
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Book Synopsis Byzantine Wall Painting in Asia Minor by : Marcell Restle
Download or read book Byzantine Wall Painting in Asia Minor written by Marcell Restle and published by . This book was released on 1967 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Byzantine Wall Painting in Asia Minor by : Marcel Restle
Download or read book Byzantine Wall Painting in Asia Minor written by Marcel Restle and published by . This book was released on 1967 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis A Byzantine Settlement in Cappadocia by : Robert G. Ousterhout
Download or read book A Byzantine Settlement in Cappadocia written by Robert G. Ousterhout and published by Dumbarton Oaks. This book was released on 2005 with total page 510 pages. Available in PDF, EPUB and Kindle. Book excerpt: Based on four seasons of fieldwork, this book presents the results of the first systematic site survey of a region rich in material remains. From architecture to fresco painting, Cappadocia represents a previously untapped resource for the study of material culture and the settings of daily life within the Byzantine Empire.
Book Synopsis The Archaeology of Byzantine Anatolia by : Philipp Niewohner
Download or read book The Archaeology of Byzantine Anatolia written by Philipp Niewohner and published by Oxford University Press. This book was released on 2017-03-17 with total page 481 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book accounts for the tumultuous period of the fifth to eleventh centuries from the Fall of Rome and the collapse of the Western Roman Empire through the breakup of the Eastern Roman Empire and loss of pan-Mediterranean rule, until the Turks arrived and seized Anatolia. The volume is divided into a dozen syntheses that each addresses an issue of intrigue for the archaeology of Anatolia, and two dozen case studies on single sites that exemplify its richness. Anatolia was the only major part of the Roman Empire that did not fall in late antiquity; it remained steadfast under Roman rule through the eleventh century. Its personal history stands to elucidate both the emphatic impact of Roman administration in the wake of pan-Mediterranean collapse. Thanks to Byzantine archaeology, we now know that urban decline did not set in before the fifth century, after Anatolia had already be thoroughly Christianized in the course of the fourth century; we know now that urban decline, as it occurred from the fifth century onwards, was paired with rural prosperity, and an increase in the number, size, and quality of rural settlements and in rural population; that this ruralization was halted during the seventh to ninth centuries, when Anatolia was invaded first by the Persians, and then by the Arabs---and the population appears to have sought shelter behind new urban fortifications and in large cathedrals. Further, it elucidates that once the Arab threat had ended in the ninth century, this ruralization set in once more, and most cities seem to have been abandoned or reduced to villages during the ensuing time of seeming tranquility, whilst the countryside experienced renewed prosperity; that this trend was reversed yet again, when the Seljuk Turks appeared on the scene in the eleventh century, devastated the countryside and led to a revival and refortification of the former cities. This dynamic historical thread, traced across its extremes through the lens of Byzantine archaeology, speaks not only to the torrid narrative of Byzantine Anatolia, but to the enigmatic medievalization.
Book Synopsis The Archaeology of Byzantine Anatolia by : Philipp Niewöhner
Download or read book The Archaeology of Byzantine Anatolia written by Philipp Niewöhner and published by Oxford University Press. This book was released on 2017 with total page 481 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book accounts for the tumultuous period of the fifth to eleventh centuries from the Fall of Rome and the collapse of the Western Roman Empire through the breakup of the Eastern Roman Empire and loss of pan-Mediterranean rule, until the Turks arrived and seized Anatolia. The volume is divided into a dozen syntheses that each addresses an issue of intrigue for the archaeology of Anatolia, and two dozen case studies on single sites that exemplify its richness. Anatolia was the only major part of the Roman Empire that did not fall in late antiquity; it remained steadfast under Roman rule through the eleventh century. Its personal history stands to elucidate both the emphatic impact of Roman administration in the wake of pan-Mediterranean collapse. Thanks to Byzantine archaeology, we now know that urban decline did not set in before the fifth century, after Anatolia had already be thoroughly Christianized in the course of the fourth century; we know now that urban decline, as it occurred from the fifth century onwards, was paired with rural prosperity, and an increase in the number, size, and quality of rural settlements and in rural population; that this ruralization was halted during the seventh to ninth centuries, when Anatolia was invaded first by the Persians, and then by the Arabs---and the population appears to have sought shelter behind new urban fortifications and in large cathedrals. Further, it elucidates that once the Arab threat had ended in the ninth century, this ruralization set in once more, and most cities seem to have been abandoned or reduced to villages during the ensuing time of seeming tranquility, whilst the countryside experienced renewed prosperity; that this trend was reversed yet again, when the Seljuk Turks appeared on the scene in the eleventh century, devastated the countryside and led to a revival and refortification of the former cities. This dynamic historical thread, traced across its extremes through the lens of Byzantine archaeology, speaks not only to the torrid narrative of Byzantine Anatolia, but to the enigmatic medievalization.
Book Synopsis Conservation and Painting Techniques of Wall Paintings on the Ancient Silk Road by : Shigeo Aoki
Download or read book Conservation and Painting Techniques of Wall Paintings on the Ancient Silk Road written by Shigeo Aoki and published by Springer Nature. This book was released on 2021-03-13 with total page 330 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book presents recent research on ancient Silk Road wall paintings, providing an up-to-date analysis of their coloring materials and techniques, and of developments in efforts to preserve them. The destruction of the Bamiyan Buddhas in 2001 encouraged international collaboration between conservation research institutes to study and protect the Silk Road’s painted heritage. The collaborations led to exciting new discoveries of the rich materials used in wall painting, including diverse pigments and colorants, and various types of organic binding media. In addition, comparative research across the region revealed shared painting practices that indicate the sophisticated exchange of technologies and ideas. In parallel with these advances in technical understanding, greater awareness and sensitivity has been fostered in endeavors to preserve this fragile heritage. The book offers insights obtained from conservation projects and ongoing research, that encompass the geographical regions and periods related to the Silk Road, including from Japan, China, Korea, India and Afghanistan, and countries of the Eastern Mediterranean region. It also discusses the current issues and future challenges in the field. Featuring concise chapters, the book is a valuable resource for students and professionals in the field of cultural heritage preservation, as well as those who are not familiar with the fascinating topic of Silk Road wall painting research.
Book Synopsis Art and Eloquence in Byzantium by : Henry Maguire
Download or read book Art and Eloquence in Byzantium written by Henry Maguire and published by Princeton University Press. This book was released on 2019-01-15 with total page 245 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this interdisciplinary study, Henry Maguire examines the influence of several literary genres and rhetorical techniques on the art of narration in Byzantium. He reveals the important and wide-reaching influence of literature on the visual arts. In particular, he shows that the literary embellishments of the sermons and hymns of the church nourished the imaginations of artists, and fundamentally affected the iconography, style, and arrangement of their work. Using provocative material previously unfamiliar to art historians, he concentrates on religious art from A.D. 843 to 1453. Professor Maguire first considers the Byzantine view of the link between oratory and painting, and then the nature of rhetoric and its relationship to Christian literature. He demonstrates how four rhetorical genres and devices—description, antithesis, hyperbole, and lament—had a special affinity with the visual arts and influenced several scenes in the Byzantine art, including the Annunciation, the Nativity, the Massacre of the Innocents, the Presentation, Christ's Passion, and the Dormition of the Virgin. Through the literature of the church, Professor Maguire concludes, the methods of rhetoric indirectly helped Byzantine artists add vividness to their narratives, structure their compositions, and enrich their work with languages. Once translated into visual language, the artifices of rhetoric could be appreciated by many. Henry Maguire is Assistant Professor of Art History at the University of Illinois at Urbana-Champaign. Originally published in 1982. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Book Synopsis Cave Monasteries of Byzantine Cappadocia by : Lyn Rodley
Download or read book Cave Monasteries of Byzantine Cappadocia written by Lyn Rodley and published by Cambridge University Press. This book was released on 2010-08-26 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a fully illustrated account of the rock-cut monasteries, hermitages and other complexes in Cappadocia, Turkey.
Book Synopsis Experiencing the Last Judgement by : Niamh Bhalla
Download or read book Experiencing the Last Judgement written by Niamh Bhalla and published by Routledge. This book was released on 2021-09-30 with total page 398 pages. Available in PDF, EPUB and Kindle. Book excerpt: Experiencing the Last Judgement opens up new ways of understanding a Byzantine image type that has hitherto been considered largely uniform in its manifestations and to a great extent frightening, coercive and paralysing. It moves beyond a purely didactic understanding of the Byzantine image of the Last Judgement, as a visual eschatological text to be ‘read’ and learned from, and proposes instead an appreciation of each unique image as a dynamic site to be experienced. Paintings, icons and mosaics from the tenth to the fourteenth century, from inside and outside of the Byzantine Empire, are placed within their specific socio-historical milieus, their immediate decorative programmes and their architectural contexts to demonstrate that each unique image constituted a carefully orchestrated and immersive experience of judgement. Each case study outlines the differences that exist in reality between these images that are often subsumed under one iconographic label, making a case against condensing dynamic, lived images into apparently static pictorial ‘types’. Images of the Last Judgement needed the body, mind and memory of the viewer for the creation of meaning, and so the experience of these images was unavoidably spatial, gendered, corporeal, mnemonic, emotional, rhetorical and most often liturgical. Unpacking Byzantine images of judgement in light of these various facets of experience for the first time helps to elucidate the interaction of past individuals with the image, and the ways in which such encounters were intended to benefit the communities that made and lived alongside them.
Book Synopsis Byzantium in the Iconoclast Era, C. 680-850 by : Leslie Brubaker
Download or read book Byzantium in the Iconoclast Era, C. 680-850 written by Leslie Brubaker and published by Cambridge University Press. This book was released on 2011-01-06 with total page 943 pages. Available in PDF, EPUB and Kindle. Book excerpt: A major revisionist survey of this most elusive and fascinating period in medieval history.
Book Synopsis Reconstructing the Reality of Images by : Maria G. Parani
Download or read book Reconstructing the Reality of Images written by Maria G. Parani and published by BRILL. This book was released on 2003 with total page 720 pages. Available in PDF, EPUB and Kindle. Book excerpt: This examination of realia in Byzantine religious painting provides valuable information on Byzantine dress, household effects and implements, while introducing at the same time an alternative, literally 'objective', approach to the study of the formative processes of Byzantine art.
Book Synopsis Wonderful Things: Byzantium through its Art by : Liz James
Download or read book Wonderful Things: Byzantium through its Art written by Liz James and published by Routledge. This book was released on 2016-12-05 with total page 495 pages. Available in PDF, EPUB and Kindle. Book excerpt: The essays collected in this book were delivered at the XLII Spring Symposium of Byzantine Studies, held in London in 2009 to accompany the exhibition Byzantium 330-1453, at the Royal Academy. The exhibition was one of the most ambitious and complex exhibitions ever mounted at the Royal Academy, as well as one of the most popular, and the overall aim of the book is to reflect on the exhibition of Byzantine art, both as an academic and popular exercise, and through the choice and discussion of individual objects. Exhibitions present a very different picture of Byzantium and its culture from works of history. The choices of object for display, their arrangement, and the underlying aims of exhibition curators and designers mean that every exhibition presents a different picture of Byzantium. Particular emphases can be placed, whether on everyday life or high court culture; Constantinople or the provinces; or claims of continuity or change over the Byzantine millennium. The essays explore aspects of the image of Byzantium that results from these choices. Given the enormous popularity of exhibitions of Byzantine objects (continued after the completion of this volume by exhibitions in Paris, Bonn and Istanbul), art has become one of the most popular and accessible means of popularizing Byzantium to a wide public audience. Hitherto there has been no general consideration of either the historiography of Byzantine exhibitions or the ways in which they have been set up to present different aspects of Byzantine culture to an academic and general public. The essays are divided into 3 sections: Exhibiting Byzantium sets the 2009 exhibition into the context of other exhibitions of Byzantine art and considers the issues involved in curating and viewing such major collections of medieval art; Object Lessons offers a set of studies of individual objects that were in the exhibition; Byzantium through its Art moves to consider Byzantine art more widely, thinking about the different ways in which objects can be used to study Byzantine culture and society. These are preceded by an introduction by the editors which sets the volume in context.
Book Synopsis Pseudo-Dionysius and Christian Visual Culture, c.500–900 by : Francesca Dell’Acqua
Download or read book Pseudo-Dionysius and Christian Visual Culture, c.500–900 written by Francesca Dell’Acqua and published by Springer Nature. This book was released on 2019-11-20 with total page 351 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book uses Pseudo-Dionysius and his mystic theology to explore attitudes and beliefs about images in the early medieval West and Byzantium. Composed in the early sixth century, the Corpus Dionysiacum, the collection of texts transmitted under the name of Dionysius the Areopagite, developed a number of themes which have a predominantly visual and spatial dimension. Pseudo-Dionysius’ contribution to the development of Christian visual culture, visual thinking and figural art-making are examined in this book to systematically investigate his long-lasting legacy and influence. The contributors embrace religious studies, philosophy, theology, art, and architectural history, to consider the depth of the interaction between the Corpus Dionysiacum and various aspects of contemporary Byzantine and western cultures, including ecclesiastical and lay power, politics, religion, and art.
Book Synopsis Negotiating Secular and Sacred in Medieval Art by : Amanda Luyster
Download or read book Negotiating Secular and Sacred in Medieval Art written by Amanda Luyster and published by Routledge. This book was released on 2017-07-05 with total page 222 pages. Available in PDF, EPUB and Kindle. Book excerpt: Offering original analysis of the convergence between 'sacred' and 'secular' in medieval works of art and architecture, this collection explores both the usefulness and limitations of these terms for describing medieval attitudes. The modern concepts of 'sacred' and 'secular' are shown to be effective as scholarly tools, but also to risk imposing false dichotomies. The authors consider medieval material culture from a broad perspective, addressing works of art and architecture from England to Japan, and from the seventh to the fifteenth century. Although the essays take a variety of methodological approaches they are unified in their emphasis on the continuing and necessary dialectic between sacred and secular. The contributors consciously frame their interpretations in terms and perspectives derived from the Middle Ages, thereby demonstrating how the present art-historical terminology and conceptual frameworks can obscure the complexity of medieval life and material culture. The resonance among essays opens possibilities for productive cross-cultural study of an issue that is relevant to a diversity of cultures and sub-periods. Introducing an innovative approach to the literature of the field, this volume complicates and enriches our understanding of social realities across a broad spectrum of medieval worlds.
Book Synopsis Byzantine Art and Renaissance Europe by : Angeliki Lymberopoulou
Download or read book Byzantine Art and Renaissance Europe written by Angeliki Lymberopoulou and published by Routledge. This book was released on 2016-12-05 with total page 307 pages. Available in PDF, EPUB and Kindle. Book excerpt: Byzantine Art and Renaissance Europe discusses the cultural and artistic interaction between the Byzantine east and western Europe, from the sack of Constantinople by the Fourth Crusade in 1204 to the flourishing of post-Byzantine artistic workshops on Venetian Crete during the fifteenth and sixteenth centuries and the formation of icon collections in Renaissance Italy. The contributors examine the routes by which artistic interaction may have taken place, and explore the reception of Byzantine art in western Europe, analysing why artists and patrons were interested in ideas from the other side of the cultural and religious divide. In the first chapter, Lyn Rodley outlines the development of Byzantine art in the Palaiologan era and its relations with western culture. Hans Bloemsma then re-assesses the influence of Byzantine art on early Italian painting from the point of view of changing demands regarding religious images in Italy. In the first of two chapters on Venetian Crete, Angeliki Lymberopoulou evaluates the impact of the Venetian presence on the production of fresco decorations in regional Byzantine churches on the island. The next chapter, by Diana Newall, continues the exploration of Cretan art manufactured under the Venetians, shifting the focus to the bi-cultural society of the Cretan capital Candia and the rise of the post-Byzantine icon. Kim Woods then addresses the reception of Byzantine icons in western Europe in the late Middle Ages and their role as devotional objects in the Roman Catholic Church. Finally, Rembrandt Duits examines the status of Byzantine icons as collectors’ items in early Renaissance Italy. The inventories of the Medici family and other collectors reveal an appreciation for icons among Italian patrons, which suggests that received notions of Renaissance tastes may be in need of revision. The book thus offers new perspectives and insights and re-positions late and post-Byzantine art in a broader European cultural context.
Book Synopsis Art and Identity in Thirteenth-Century Byzantium by : Antony Eastmond
Download or read book Art and Identity in Thirteenth-Century Byzantium written by Antony Eastmond and published by Routledge. This book was released on 2017-03-02 with total page 346 pages. Available in PDF, EPUB and Kindle. Book excerpt: The church of Hagia Sophia in Trebizond, built by the emperor Manuel I Grand Komnenos (1238-63) in the aftermath of the fall of Constantinople to the Fourth Crusade, is the finest surviving Byzantine imperial monument of its period. Art and Identity in Thirteenth-Century Byzantium is the first investigation of the church in more than thirty years, and is extensively illustrated in colour and black-and-white, with many images that have never previously been published. Antony Eastmond examines the architectural, sculptural and painted decorations of the church, placing them in the context of contemporary developments elsewhere in the Byzantine world, in Seljuq Anatolia and among the Caucasian neighbours of Trebizond. Knowledge of this area has been transformed in the last twenty years, following the collapse of the Soviet Union. The new evidence that has emerged enables a radically different interpretation of the church to be reached, and raises questions of cultural interchange on the borders of the Christian and Muslim worlds of eastern Anatolia, the Caucasus and Persia. This study uses the church and its decoration to examine questions of Byzantine identity and imperial ideology in the thirteenth century. This is central to any understanding of the period, as the fall of Constantinople in 1204 divided the Byzantine empire and forced the successor states in Nicaea, Epiros and Trebizond to redefine their concepts of empire in exile. Art is here exploited as significant historical evidence for the nature of imperial power in a contested empire. It is suggested that imperial identity was determined as much by craftsmen and expectations of imperial power as by the emperor's decree; and that this was a credible alternative Byzantine identity to that developed in the empire of Nicaea.
Author :Robert Walter Hans Peter Scheller Publisher :Amsterdam University Press ISBN 13 :9789053561300 Total Pages :468 pages Book Rating :4.5/5 (613 download)
Book Synopsis Exemplum by : Robert Walter Hans Peter Scheller
Download or read book Exemplum written by Robert Walter Hans Peter Scheller and published by Amsterdam University Press. This book was released on 1995 with total page 468 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the Middle Ages, artistic ideas were transmitted from one region to another and passed on from one generation to the next, in the form of drawings. This kind of handmade reproduction, 'exemplum' in Latin, was used to record the form and content of works of art. Some of those drawings have survived in 'model books'. The author presents a fascinating account of many and various aspects of these drawings with special emphasis on how they contribute to our understanding of the genesis of medieval works of art. Exemplum will be a standard work of reference for many years to come