African American Perspectives in Musical Theatre

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Publisher : Bloomsbury Publishing
ISBN 13 : 1350247731
Total Pages : 63 pages
Book Rating : 4.3/5 (52 download)

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Book Synopsis African American Perspectives in Musical Theatre by : Eric M. Glover

Download or read book African American Perspectives in Musical Theatre written by Eric M. Glover and published by Bloomsbury Publishing. This book was released on 2023-11-16 with total page 63 pages. Available in PDF, EPUB and Kindle. Book excerpt: From Pauline Elizabeth Hopkins's 1879 musical Peculiar Sam to Lynn Nottage's 2021 musical MJ, the 'Black musical' does not get the credit it deserves for sustaining the genre we know and love. This introductory book is devoted to representative African-American perspectives in musical theatre from the literature of slavery and freedom, 1746-1865, to the contemporary period, offering the reader case studies of what the 'Black musical' is, how it works, and why it matters. Based on Glover's experience teaching Black musical theatre at a conservatory and in the liberal arts, he draws his close readings of Eubie Blake, Pauline Elizabeth Hopkins and Charlie Smalls from theory and practice. Moreover, Glover investigates how the ballet, the musical comedy, the opera, the play with music and the revue are similar and different narrative sub-genres. Finally, the book reflect on issues such as blackface minstrelsy, 'the Chitlin Circuit', non-traditional casting and yellowface. Published in the Topics in Musical Theatre series, this short book gives the reader new ways of seeing the aesthetically and politically capacious category of Black musical theatre from an anti-racist approach.

African American Perspectives in Musical Theatre

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Author :
Publisher : Bloomsbury Publishing
ISBN 13 : 1350247723
Total Pages : 137 pages
Book Rating : 4.3/5 (52 download)

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Book Synopsis African American Perspectives in Musical Theatre by : Eric M. Glover

Download or read book African American Perspectives in Musical Theatre written by Eric M. Glover and published by Bloomsbury Publishing. This book was released on 2023-11-16 with total page 137 pages. Available in PDF, EPUB and Kindle. Book excerpt: From Pauline Elizabeth Hopkins's 1879 musical Peculiar Sam to Lynn Nottage's 2021 musical MJ, the 'Black musical' does not get the credit it deserves for sustaining the genre we know and love. This introductory book is devoted to representative African-American perspectives in musical theatre from the literature of slavery and freedom, 1746-1865, to the contemporary period, offering the reader case studies of what the 'Black musical' is, how it works, and why it matters. Based on Glover's experience teaching Black musical theatre at a conservatory and in the liberal arts, he draws his close readings of Eubie Blake, Pauline Elizabeth Hopkins and Charlie Smalls from theory and practice. Moreover, Glover investigates how the ballet, the musical comedy, the opera, the play with music and the revue are similar and different narrative sub-genres. Finally, the book reflect on issues such as blackface minstrelsy, 'the Chitlin Circuit', non-traditional casting and yellowface. Published in the Topics in Musical Theatre series, this short book gives the reader new ways of seeing the aesthetically and politically capacious category of Black musical theatre from an anti-racist approach.

A History of African American Theatre

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Publisher : Cambridge University Press
ISBN 13 : 9780521624435
Total Pages : 652 pages
Book Rating : 4.6/5 (244 download)

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Book Synopsis A History of African American Theatre by : Errol G. Hill

Download or read book A History of African American Theatre written by Errol G. Hill and published by Cambridge University Press. This book was released on 2003-07-17 with total page 652 pages. Available in PDF, EPUB and Kindle. Book excerpt: Table of contents

The Cambridge Companion to African American Theatre

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Publisher : Cambridge University Press
ISBN 13 : 1009359592
Total Pages : 359 pages
Book Rating : 4.0/5 (93 download)

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Book Synopsis The Cambridge Companion to African American Theatre by : Harvey Young

Download or read book The Cambridge Companion to African American Theatre written by Harvey Young and published by Cambridge University Press. This book was released on 2023-05-31 with total page 359 pages. Available in PDF, EPUB and Kindle. Book excerpt: This new edition provides an expanded, comprehensive history of African American theatre, from the early nineteenth century to the present day. Including discussions of slave rebellions on the national stage, African Americans on Broadway, the Harlem Renaissance, African American women dramatists, and the New Negro and Black Arts movements, the Companion also features fresh chapters on significant contemporary developments, such as the influence of the Black Lives Matter movement, the mainstream successes of Black Queer Drama and the evolution of African American Dance Theatre. Leading scholars spotlight the producers, directors, playwrights, and actors who have fashioned a more accurate appearance of Black life on stage, revealing the impact of African American theatre both within the United States and around the world. Addressing recent theatre productions in the context of political and cultural change, it invites readers to reflect on where African American theatre is heading in the twenty-first century.

Profiles of African American Stage Performers and Theatre People, 1816-1960

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Author :
Publisher : Bloomsbury Publishing USA
ISBN 13 : 0313065039
Total Pages : 441 pages
Book Rating : 4.3/5 (13 download)

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Book Synopsis Profiles of African American Stage Performers and Theatre People, 1816-1960 by : Bernard L. Peterson Jr.

Download or read book Profiles of African American Stage Performers and Theatre People, 1816-1960 written by Bernard L. Peterson Jr. and published by Bloomsbury Publishing USA. This book was released on 2000-10-30 with total page 441 pages. Available in PDF, EPUB and Kindle. Book excerpt: This directory includes over 500 African American performers and theater people who have made a significant contribution to the American stage from the early 19th century to the beginning of the civil rights movement of the 1960s. Entries provide succinct biographical and theatrical information gathered from a variety of sources including library theater and drama collections, dissertations and theses, newspaper and magazine reviews and criticism, theater programs, theatrical memoirs, and earlier performing arts directories. Among the professional artists included in this volume are performers, librettists, lyricists, directors, producers, choreographers, stage managers, and musicians. The individuals profiled represent almost every major category and genre of the professional, semiprofessional, regional, and academic stage including minstrelsy, vaudeville, musical theater, and drama. Persons of historical significance are included as well as those stars and theatrical personalities that were well known during their time but who are relatively forgotten today. This comprehensive volume will appeal to theater and musical theater, Black studies, and American studies scholars. Cross-referenced throughout, this reference also includes an extensive bibliography and appendices of other theater personalities excluded from the main text. Separate indexes list the personalities, teams and partnerships, and performing groups, organizations, and companies.

Blacks in Blackface

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Publisher : Scarecrow Press
ISBN 13 : 0810883511
Total Pages : 1573 pages
Book Rating : 4.8/5 (18 download)

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Book Synopsis Blacks in Blackface by : Henry T. Sampson

Download or read book Blacks in Blackface written by Henry T. Sampson and published by Scarecrow Press. This book was released on 2013-10-30 with total page 1573 pages. Available in PDF, EPUB and Kindle. Book excerpt: Published in 1980, Blacks in Blackface was the first and most extensive book up to that time to deal exclusively with every aspect of all-African American musical comedies performed on the stage between 1900 and 1940. An invaluable resource for scholars and historians focused on African American culture, this new edition features significantly revised, expanded, and new material. In Blacks in Blackface: A Sourcebook on Early Black Musical Shows, Henry T. Sampson provides an unprecedented wealth of information on legitimate musical comedies, including show synopses, casts, songs, and production credits. Sampson also recounts the struggles of African American performers and producers to overcome the racial prejudice of white show owners, music publishers, theatre managers, and booking agents to achieve adequate financial compensation for their talents and managerial expertise. Black producers and artists competed with white managers who were producing all-Black shows and also with some white entertainers who were performing Black-developed music and dances, often in blackface. The chapters in this volume include: An overview of African American musical shows from the end of the Civil War through the golden years of the 1920s and ’30s New and expanded biographical sketches of performers Detailed information about the first producers and owners of Black minstrel and musical comedy shows Origins and backgrounds of several famous Black theatres Profiles of African American entrepreneurs and businessmen who provided financial resources to build and own many of the Black theatres where these shows were performed A chronicle of booking agencies and organized Black theatrical circuits, music publishing houses, and phonograph recording businesses Critical commentary from African American newspapers and show business publications More than 500 hundred rare photographs A comprehensive volume that covers all aspects of Black musical shows performed in theatres, nightclubs, circuses, and medicine shows, this edition of Blacks in Blackface can be used as a reference for serious scholars and researchers of Black show business in the United States before 1940. More than double the size of the previous edition, this useful resource will also appeal to the casual reader who is interested in learning more about early Black entertainment.

Black Musical Theatre

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Publisher : Da Capo Press
ISBN 13 : 9780306804540
Total Pages : 301 pages
Book Rating : 4.8/5 (45 download)

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Book Synopsis Black Musical Theatre by : Allen Woll

Download or read book Black Musical Theatre written by Allen Woll and published by Da Capo Press. This book was released on 1991-08-21 with total page 301 pages. Available in PDF, EPUB and Kindle. Book excerpt: While theatregoers are generally familiar with the names of such pioneers as George M. Cohan, Irving Berlin and Jerome Kern, the names of their black counterparts - Will Marion Cook, George Walker and Bob Cole, among others - are virtually unknown today. Allen Woll aims to remedy that neglect in this book, offering a thoroughly researched account of the evolution of black musical theatre from the turn of the century to the present day.

"It's getting dark on old Broadway". African American theatre of the Harlem Renaissance in search of the right direction

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Author :
Publisher : GRIN Verlag
ISBN 13 : 3656415285
Total Pages : 20 pages
Book Rating : 4.6/5 (564 download)

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Book Synopsis "It's getting dark on old Broadway". African American theatre of the Harlem Renaissance in search of the right direction by : Clare Stalder

Download or read book "It's getting dark on old Broadway". African American theatre of the Harlem Renaissance in search of the right direction written by Clare Stalder and published by GRIN Verlag. This book was released on 2013-04-19 with total page 20 pages. Available in PDF, EPUB and Kindle. Book excerpt: Seminar paper from the year 2011 in the subject Didactics for the subject English - History of Literature, Eras, grade: 2,0, Free University of Berlin, language: English, abstract: [...] When Gilda Gray performed "It's Getting Dark on Old Broadway" in the opening show of the song-and-dance revue Ziegfeld Follies on 5 June 1922 she eternalized Broadway's latest trend (Woll 76). Black entertainment proliferated in the Theatre District along Broadway in the 1920s and it seemed that black shows had made it into the limelight of success. There was, however, a different 'dark' side to the developments of the black performance scene. To many leading intellectuals of the Harlem Renaissance, the new darkness on Broadway looked rather bleak. Important figures like W. E. B. Du Bois who campaigned for a new racial identity through cultural creation (cf. Du Bois “Criteria of Negro Art”) feared that the new phenomenon of black productions reaching out for mainstream success would betray their cause. In his speech at the NAACP's annual conference, he famously claimed that "all Art is propaganda and ever must be" (Du Bois par. 29). Catering to the white public's demands (pars. 33, 35), as the successful Black Broadway musicals did, would mean failing the cause, according to Du Bois. While some scholars argue that theatre and performance in the New Negro era played "a pivotal role in the evolution of Black Nationalism" (Krasner 1), those are opposed by a number of authors who look upon the Harlem Renaissance as a failure (cf. Baker xiii, Neal 39, Krasner 95f.). In the following paper, I will look into the question of whether the performers and artists of the Harlem Renaissance really failed to contribute to a change of white America's attitude toward the African American race (Krasner 14). One point at issue will be whether the increasing success and commercialisation of Black theatre counteracted the objectives of racial renewal or if on the contrary, they were a means to an end. [...]

The Routledge Companion to African American Theatre and Performance

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Publisher : Routledge
ISBN 13 : 1351751433
Total Pages : 566 pages
Book Rating : 4.3/5 (517 download)

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Book Synopsis The Routledge Companion to African American Theatre and Performance by : Kathy A. Perkins

Download or read book The Routledge Companion to African American Theatre and Performance written by Kathy A. Perkins and published by Routledge. This book was released on 2018-12-07 with total page 566 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Routledge Companion to African American Theatre and Performance is an outstanding collection of specially written essays that charts the emergence, development, and diversity of African American Theatre and Performance—from the nineteenth-century African Grove Theatre to Afrofuturism. Alongside chapters from scholars are contributions from theatre makers, including producers, theatre managers, choreographers, directors, designers, and critics. This ambitious Companion includes: A "Timeline of African American theatre and performance." Part I "Seeing ourselves onstage" explores the important experience of Black theatrical self-representation. Analyses of diverse topics including historical dramas, Broadway musicals, and experimental theatre allow readers to discover expansive articulations of Blackness. Part II "Institution building" highlights institutions that have nurtured Black people both on stage and behind the scenes. Topics include Historically Black Colleges and Universities (HBCUs), festivals, and black actor training. Part III "Theatre and social change" surveys key moments when Black people harnessed the power of theatre to affirm community realities and posit new representations for themselves and the nation as a whole. Topics include Du Bois and African Muslims, women of the Black Arts Movement, Afro-Latinx theatre, youth theatre, and operatic sustenance for an Afro future. Part IV "Expanding the traditional stage" examines Black performance traditions that privilege Black worldviews, sense-making, rituals, and innovation in everyday life. This section explores performances that prefer the space of the kitchen, classroom, club, or field. This book engages a wide audience of scholars, students, and theatre practitioners with its unprecedented breadth. More than anything, these invaluable insights not only offer a window onto the processes of producing work, but also the labour and economic issues that have shaped and enabled African American theatre. Chapter 20 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.

Afrocentric Theatre

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Publisher : Xlibris Corporation
ISBN 13 : 1483637417
Total Pages : 314 pages
Book Rating : 4.4/5 (836 download)

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Book Synopsis Afrocentric Theatre by : Carlton W. Molette

Download or read book Afrocentric Theatre written by Carlton W. Molette and published by Xlibris Corporation. This book was released on 2013-05-22 with total page 314 pages. Available in PDF, EPUB and Kindle. Book excerpt: Afrocentric Theatre updates the Molettes' groundbreaking book, Black Theatre: Premise and Presentation, that has been required reading in many Black theatre courses for over twenty-five years. Afrocentric theatre is a culturally-based art form, not a race-based one. Culture and values shape perceptions of such phenomena as time, space, heroism, reality, truth, and beauty. These culturally variable social constructions determine standards for evaluating and analyzing art and govern the way people perceive theatrical presentations as well as film and video drama. A play is not Afrocentric simply because it is by a Black playwright, or has Black characters, or addresses a Black theme or issue. Afrocentric Theatre describes the nature of an art form that embraces and disseminates African American culture and values. Further, it suggests a framework for interpreting andevaluating that art form and assesses the endeavors of dramatists who work from an Afrocentric perspective.

The African American Theatre Directory, 1816-1960

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Publisher : Bloomsbury Publishing USA
ISBN 13 : 0313033323
Total Pages : 332 pages
Book Rating : 4.3/5 (13 download)

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Book Synopsis The African American Theatre Directory, 1816-1960 by : Lena McPhatter Gore

Download or read book The African American Theatre Directory, 1816-1960 written by Lena McPhatter Gore and published by Bloomsbury Publishing USA. This book was released on 1997-05-28 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: A comprehensive directory of more than 600 entries, this detailed ready reference features professional, semi-professional, and academic stage organizations and theatres that have been in the forefront in pioneering most of the advances that African Americans have made in the theatre. It includes groups from the early 19th century to the dawn of the revolutionary Black theatre movement of the 1960s. It is an effort to bring together into one volume information that has hitherto been scattered throughout a number of different sources. The volume begins with an illuminating foreword by Errol Hill, a noted critic, playwright, scholar and Willard Professor of Drama Emeritus, Dartmouth College. A comprehensive directory of more than 600 entries, this detailed ready reference features professional, semi-professional, and academic stage organizations and theatres that have been in the forefront in pioneering most of the advances that African Americans have made in the theatre. It includes groups from the early 19th century to the dawn of the revolutionary Black theatre movement of the 1960s. It is an effort to bring together into one volume information that has hitherto been scattered throughout a number of different sources. The volume begins with an illuminating foreword by Errol Hill, a noted critic, playwright, scholar and Willard Professor of Drama Emeritus, Dartmouth College. Included in the volume are the earliest organizations that existed before the Civil War, Black minstrel troupes, pioneer musical show companies, selected vaudeville and road show troupes, professional theatrical associations, booking agencies, stock companies, significant amateur and little theatre groups, Black units of the WPA Federal Theatre, and semi-professional groups in Harlem after the Federal Theatre. The A-Z entries are supplemented with a classified appendix that also includes additional organizations not listed in the main directory, a bibliography, and three indexes for shows, showpeople, and general subjects. Cross referencing makes related information easy to find.

Reframing the Musical

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Publisher : Bloomsbury Publishing
ISBN 13 : 1352004402
Total Pages : 241 pages
Book Rating : 4.3/5 (52 download)

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Book Synopsis Reframing the Musical by : Sarah K. Whitfield

Download or read book Reframing the Musical written by Sarah K. Whitfield and published by Bloomsbury Publishing. This book was released on 2019-03-01 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: This critical and inclusive edited collection offers an overview of the musical in relation to issues of race, culture and identity. Bringing together contributions from cultural, American and theatre studies for the first time, the chapters offer fresh perspectives on musical theatre history, calling for a radical and inclusive new approach. By questioning ideas about what the musical is about and who it for, this groundbreaking book retells the story of the musical, prioritising previously neglected voices to reshape our understanding of the form. Timely and engaging, this is required reading for undergraduate and postgraduate students of musical theatre. It offers an intersectional approach which will also be invaluable for theatre practitioners.

Faces in the Crowd

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Publisher :
ISBN 13 :
Total Pages : 276 pages
Book Rating : 4.:/5 (5 download)

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Book Synopsis Faces in the Crowd by : Angie M. Gates

Download or read book Faces in the Crowd written by Angie M. Gates and published by . This book was released on 2001 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt:

A Century of Musicals in Black and White

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Publisher : Bloomsbury Publishing USA
ISBN 13 : 0313064547
Total Pages : 554 pages
Book Rating : 4.3/5 (13 download)

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Book Synopsis A Century of Musicals in Black and White by : Bernard L. Peterson Jr.

Download or read book A Century of Musicals in Black and White written by Bernard L. Peterson Jr. and published by Bloomsbury Publishing USA. This book was released on 1993-10-25 with total page 554 pages. Available in PDF, EPUB and Kindle. Book excerpt: This comprehensive reference book provides succinct information on almost thirteen hundred musical stage works written and produced from the 1870s to the 1990s involving contributions by black librettists, lyricists, composers, musicians, producers, or performers or containing thematic materials relevant to the black experience. Organized alphabetically, they include tent and outdoor shows, vaudeville, operas and operettas, comedies, farces, spectacles, revues, cabaret and nightclub shows, children's musicals, skits, one-act musicals, one-person shows, and even a musical without songs. In addition to the hundreds of shows independently created, produced, and performed by black writers and theatrical artists, it presents hundreds more representing a collaboration of black and white talents. An appendix organizes the shows chronologically and highlights those that were most significant in the history of the black American musical stage. An extensive bibliography and indexes of names, songs, and subjects complete the work.

Black Theatre

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Author :
Publisher :
ISBN 13 : 9780932269942
Total Pages : 280 pages
Book Rating : 4.2/5 (699 download)

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Book Synopsis Black Theatre by : Carlton W. Molette

Download or read book Black Theatre written by Carlton W. Molette and published by . This book was released on 1986 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: Our intention, explain the Mollettes, is to describe the nature of African American theatre as an expression of culture and a medium for communicating values. We have divided this book into two sections. Part One, PREMISE, describes the terms and concepts needed to examine African American theatre from an Afrocentric point of view. Essential to that discourse is an understanding of culture and values and their impact upon an individual's point of view and subsequent interpretation of what is seen and heard. We cite examples of historical interpretations and analyses to illustrate the differences in these statements of evaluation that result from variations in culture and values. Part Two, Presentation, delineates values that influence theatrical presentations by and for African Americans and their impact upon style, form, and the performance environment. The values of specific cultures also control concepts such as space and time that are crucial to the way in which performance art is perceived. Both Afrocentric and Eurocentric concepts of time and space are described in order to contrast Afrocentric and Eurocentric conventions of theatrical presentations.

Profiles of African American Stage Performers and Theatre People, 1816-1960

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Author :
Publisher : Greenwood
ISBN 13 : 0313295344
Total Pages : 0 pages
Book Rating : 4.3/5 (132 download)

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Book Synopsis Profiles of African American Stage Performers and Theatre People, 1816-1960 by : Bernard L. Peterson Jr.

Download or read book Profiles of African American Stage Performers and Theatre People, 1816-1960 written by Bernard L. Peterson Jr. and published by Greenwood. This book was released on 2001 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Entries provide succinct biographical and theatrical information gathered from a variety of sources including library theater and drama collections, dissertations and theses, newspaper and magazine reviews and criticism, theater programs, theatrical memoirs, and earlier performing arts directories. Among the professional artists included in this volume are performers, librettists, lyricists, directors, producers, choreographers, stage managers, and musicians. The individuals profiled represent almost every major category and genre of the professional, semiprofessional, regional, and academic stage including minstrelsy, vaudeville, musical theater, and drama.

African American Theatre

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Author :
Publisher : Cambridge University Press
ISBN 13 : 9780521465854
Total Pages : 308 pages
Book Rating : 4.4/5 (658 download)

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Book Synopsis African American Theatre by : Samuel A. Hay

Download or read book African American Theatre written by Samuel A. Hay and published by Cambridge University Press. This book was released on 1994-03-25 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book traces the history of African American theatre from its beginnings to the present.