A Practical Approach To Eighteenth Century Counterpoint

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A Practical Approach to 18th Century Counterpoint

Author : Robert Gauldin
Publisher : Waveland Press
ISBN 13 : 1478608765
Total Pages : 351 pages
Book Rating : 4.4/5 (786 download)

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Book Synopsis A Practical Approach to 18th Century Counterpoint by : Robert Gauldin

Download or read book A Practical Approach to 18th Century Counterpoint written by Robert Gauldin and published by Waveland Press. This book was released on 2013-03-04 with total page 351 pages. Available in PDF, EPUB and Kindle. Book excerpt: Practical work in writing counterpoint! This volume emphasizes developing analytical and writing skills in the contrapuntal technique of the eighteenth century. The orientation is strongly stylistic, dealing mainly with the polyphony of the late Baroque period. Three aspects are stressed throughout: practical work in writing counterpoint, utilizing various textures, devices, and genre of the period; historical background, to establish the origins of different forms and justify the pedagogical method employed here; analysis of selections from music literature, often in voice-leading reductions. After an opening chapter that reviews some general features of the late Baroque period, there is a brief survey of melodic characteristics, and a study of procedures associated with two, three, and four voices.

A Practical Approach to Eighteenth-century Counterpoint

Author : Robert Gauldin
Publisher : Prentice Hall
ISBN 13 : 9780136936152
Total Pages : 335 pages
Book Rating : 4.9/5 (361 download)

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Book Synopsis A Practical Approach to Eighteenth-century Counterpoint by : Robert Gauldin

Download or read book A Practical Approach to Eighteenth-century Counterpoint written by Robert Gauldin and published by Prentice Hall. This book was released on 1988 with total page 335 pages. Available in PDF, EPUB and Kindle. Book excerpt:

A Practical Approach to 16th Century Counterpoint

Author : Robert Gauldin
Publisher : Waveland Press
ISBN 13 : 1478608757
Total Pages : 320 pages
Book Rating : 4.4/5 (786 download)

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Book Synopsis A Practical Approach to 16th Century Counterpoint by : Robert Gauldin

Download or read book A Practical Approach to 16th Century Counterpoint written by Robert Gauldin and published by Waveland Press. This book was released on 2013-03-04 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: Practical work in writing counterpoint! Gauldin emphasizes the acquisition of writing skills in the contrapuntal discipline and the simulation of sixteenth-century sacred polyphonic idioms in this volume. The author follows a didactic method of a non-species or direct approach. While no previous contrapuntal training is necessary to absorb this material, some acquaintance with Baroque polyphonic terminology proves helpful. Key features include: musical examples illustrating specific devices are taken from musical literature or composed by the author; demonstrates the possibility of employing a single given pitch series within the contexts of different compositional techniques; includes a collection of complete or excerpted movements drawn from musical literature at the conclusion of each major textual division; emphasizes Palestrina and the Counter-Reformation sacred style; discusses various compositional procedures of the late Renaissance, including paraphrase, cantus firmus, familiar style, parody, polychoral technique, and chromaticism.

A Practical Approach to Sixteenth-century Counterpoint

Author : Robert Gauldin
Publisher : Prentice Hall
ISBN 13 :
Total Pages : 330 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis A Practical Approach to Sixteenth-century Counterpoint by : Robert Gauldin

Download or read book A Practical Approach to Sixteenth-century Counterpoint written by Robert Gauldin and published by Prentice Hall. This book was released on 1985 with total page 330 pages. Available in PDF, EPUB and Kindle. Book excerpt: The author emphasizes acquisition of writing skills in the contrapuntal discipline and the simulation of sixteenth century sacred polyphonic idioms in this volume. The author follows a didactic method of a "non species or direct" approach. While no previous contrapuntal training is necessary to absorb this material, some acquaintance with Baroque polyphonic terminology proves helpful. Key features include: musical examples illustrating specific devices taken from musical literature or composed by the author; demonstration of the possibility of employing a single given pitch series within the contexts of different compositional techniques; a collection of complete or excerpted movements drawn from musical literature at the conclusion of each major textual division; emphasis of Palestrina and the Counter Reformation sacred style; discussion of various compositional procedures of the late Renaissance, including paraphrase, cantus firmus, familiar style, parody, polychoral technique, and chromaticism.

A Geometry of Music

Author : Dmitri Tymoczko
Publisher : OUP USA
ISBN 13 : 0195336674
Total Pages : 469 pages
Book Rating : 4.1/5 (953 download)

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Book Synopsis A Geometry of Music by : Dmitri Tymoczko

Download or read book A Geometry of Music written by Dmitri Tymoczko and published by OUP USA. This book was released on 2011-03-21 with total page 469 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this groundbreaking book, Tymoczko uses contemporary geometry to provide a new framework for thinking about music, one that emphasizes the commonalities among styles from Medieval polyphony to contemporary jazz.

Harmony, Counterpoint, Partimento

Author : Job IJzerman
Publisher :
ISBN 13 : 0190695005
Total Pages : 417 pages
Book Rating : 4.1/5 (96 download)

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Book Synopsis Harmony, Counterpoint, Partimento by : Job IJzerman

Download or read book Harmony, Counterpoint, Partimento written by Job IJzerman and published by . This book was released on 2018 with total page 417 pages. Available in PDF, EPUB and Kindle. Book excerpt: A new method of music theory education for undergraduate music students, Harmony, Counterpoint, Partimento is grounded in schema theory and partimento, and takes an integrated, hands-on approach to the teaching of harmony and counterpoint in today's classrooms and studios. A textbook in three parts, the package includes: - the hardcopy text, providing essential stylistic and technical information and repertoire discussion; - an online workbook with a full range of exercises, including partimenti by Fenaroli, Sala, and others, along with arrangements of eighteenth- and nineteenth-century compositions; - an online instructor's manual providing additional information and realizations of all exercises. Linking theoretical knowledge with aural perception and aesthetic experience, the exercises encompass various activities, such as singing, playing, improvising, and notation, which challenge and develop the student's harmonic, melodic, and rhythmic imagination. Covering the common-practice period (Corelli to Brahms), Harmony, Counterpoint, Partimento is a core component of practice-oriented training of musicianship skills, in conjunction with solfeggio, analysis, and modal or tonal counterpoint.

Essentials of Eighteenth-century Counterpoint

Author : Neale B. Mason
Publisher :
ISBN 13 :
Total Pages : 180 pages
Book Rating : 4.:/5 (18 download)

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Book Synopsis Essentials of Eighteenth-century Counterpoint by : Neale B. Mason

Download or read book Essentials of Eighteenth-century Counterpoint written by Neale B. Mason and published by . This book was released on 1968 with total page 180 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Study of Counterpoint

Author : Johann Fux
Publisher : W. W. Norton & Company
ISBN 13 : 9780393002775
Total Pages : 164 pages
Book Rating : 4.0/5 (27 download)

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Book Synopsis Study of Counterpoint by : Johann Fux

Download or read book Study of Counterpoint written by Johann Fux and published by W. W. Norton & Company. This book was released on 1965 with total page 164 pages. Available in PDF, EPUB and Kindle. Book excerpt: The most celebrated book on counterpoint is Fux's great theoretical work GRADUS AD PARNASSUM. Since its appearance in 1725, it has been used by and has directly influenced the work of many of the great composers, including J.S. Bach, Haydn, and Beethoven. Originally written in Latin, this work has been translated in to the principal European languages. The present translation by Alfred Mann is the first faithful rendering in English, presenting the essence of Fux's teachings.

Tonal Counterpoint for the 21st-Century Musician

Author : Teresa Davidian
Publisher : Rowman & Littlefield
ISBN 13 : 1442234601
Total Pages : 260 pages
Book Rating : 4.4/5 (422 download)

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Book Synopsis Tonal Counterpoint for the 21st-Century Musician by : Teresa Davidian

Download or read book Tonal Counterpoint for the 21st-Century Musician written by Teresa Davidian and published by Rowman & Littlefield. This book was released on 2015-02-10 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: Students today have grown up in the age of digital technology. As a result, they process information in radically different ways than preceding generations. They like their information fast and consider visual images as important as textual content. In Tonal Counterpoint for the 21st-Century Musician, Teresa Davidian finally provides students a textbook that is quick, direct, and visual—a direct reflection of the age in which they live. This book is easy to understand, comprehensive, and distinctly modern in its approach to the study of counterpoint. Written in a style that is clear, simple, and informal writing style, Davidian artfully mixes the history of counterpoint with an outline of its structure, placing musical examples from J. S. Bach side by side with those from The Beatles to illustrate the universality and currency of counterpoint in music analysis and composition. Designed as a single-semester introduction, Tonal Counterpoint brings the study of counterpoint into the present by: Making ample use of diagrams and flow charts Including helpful step-by-step prompt sheets for analyzing inventions and fugues Placing just as much emphasis on the composition as on the analysis of counterpoint Offering a broad array of musical examples, including the work of women composers, American songwriters, current students, and pop music composers Throughout, Davidian explains how the techniques of 18th-century contrapoint still readily apply to how music is composed today. Tonal Counterpoint for the 21st-Century Musician is ideal for students in the fields of music theory, composition, music history, and performance.

The Art of Partimento

Author : Giorgio Sanguinetti
Publisher : Oxford University Press
ISBN 13 : 0199908990
Total Pages : 400 pages
Book Rating : 4.1/5 (999 download)

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Book Synopsis The Art of Partimento by : Giorgio Sanguinetti

Download or read book The Art of Partimento written by Giorgio Sanguinetti and published by Oxford University Press. This book was released on 2012-04-03 with total page 400 pages. Available in PDF, EPUB and Kindle. Book excerpt: At the height of the Enlightenment, four conservatories in Naples stood at the center of European composition. Maestros taught their students to compose with unprecedented swiftness and elegance using the partimento, an instructional tool derived from the basso continuo that encouraged improvisation as the path to musical fluency. Although the practice vanished in the early nineteenth century, its legacy lived on in the music of the next generation. In The Art of Partimento, performer and music-historian Giorgio Sanguinetti chronicles the history of this long-forgotten Neapolitan art. Sanguinetti has painstakingly reconstructed the oral tradition that accompanied these partimento manuscripts, now scattered throughout Europe. Beginning with the origins of the partimento in the circles of Corelli, Pasquini, and Alessandro Scarlatti in Rome and tracing it through the peak of the tradition in Naples, The Art of Partimento gives a glimpse into the daily life and work of an eighteenth century composer. The Art of the Partimento is also a complete practical handbook to reviving the tradition today. Step by step, Sanguinetti guides the aspiring composer through elementary realization to more advanced exercises in diminution, imitation, and motivic coherence. Based on the teachings of the original masters, Sanguinetti challenges the reader to become a part of history, providing a variety of original partimenti in a range of genres, forms, styles, and difficulty levels along the way and allowing the student to learn the art of the partimento for themselves at their own pace. As both history and practical guide, The Art of Partimento presents a new and innovative way of thinking about music theory. Sanguinetti's unique approach unites musicology and music theory with performance, which allows for a richer and deeper understanding than any one method alone, and offers students and scholars of composition and music theory the opportunity not only to understand the life of this fascinating tradition, but to participate in it as well.

Music in the Galant Style

Author : Robert Gjerdingen
Publisher : OUP USA
ISBN 13 : 0195313712
Total Pages : 527 pages
Book Rating : 4.1/5 (953 download)

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Book Synopsis Music in the Galant Style by : Robert Gjerdingen

Download or read book Music in the Galant Style written by Robert Gjerdingen and published by OUP USA. This book was released on 2007-10-05 with total page 527 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music in the Galant Style is an authoritative and readily understandable study of the core compositional style of the eighteenth century. Gjerdingen adopts a unique approach, based on a massive but little-known corpus of pedagogical workbooks used by the most influential teachers of the century, the Italian partimenti. He has brought this vital repository of compositional methods into confrontation with a set of schemata distilled from an enormous body of eighteenth-century music, much of it known only to specialists, formative of the "galant style."

Essentials of Eighteenth-century Counterpoint

Author : Neale B. Mason
Publisher : Brown & Benchmark
ISBN 13 :
Total Pages : 196 pages
Book Rating : 4.F/5 ( download)

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Book Synopsis Essentials of Eighteenth-century Counterpoint by : Neale B. Mason

Download or read book Essentials of Eighteenth-century Counterpoint written by Neale B. Mason and published by Brown & Benchmark. This book was released on 1968 with total page 196 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Modal Counterpoint, Renaissance Style

Author : Peter Schubert
Publisher :
ISBN 13 :
Total Pages : 372 pages
Book Rating : 4.F/5 ( download)

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Book Synopsis Modal Counterpoint, Renaissance Style by : Peter Schubert

Download or read book Modal Counterpoint, Renaissance Style written by Peter Schubert and published by . This book was released on 2008 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt: The only species counterpoint text that draws directly on Renaissance treatises, Modal Counterpoint, Renaissance Style, Second Edition, provides a conceptual framework to guide students through composition and analysis as it teaches them general structural principles. It distinguishes between technical requirements ("hard" rules) and stylistic guidelines ("soft" rules), and includes coordinated exercises that allow students to develop their skills systematically. The second edition integrates improvisation activities and new repertoire examples into many chapters; revises the chapter on three-part writing (Chapter 14) so that it pays more attention to rules and strategies; reworks the chapters on cadences (Chapter 10) and on writing two parts in mixed values (Chapter 11) to make them more accessible to students; incorporates clarified instructions throughout; and includes a summary of rules.

Studies in Historical Improvisation

Author : Massimiliano Guido
Publisher : Routledge
ISBN 13 : 1317048938
Total Pages : 344 pages
Book Rating : 4.3/5 (17 download)

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Book Synopsis Studies in Historical Improvisation by : Massimiliano Guido

Download or read book Studies in Historical Improvisation written by Massimiliano Guido and published by Routledge. This book was released on 2017-01-06 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: In recent years, scholars and musicians have become increasingly interested in the revival of musical improvisation as it was known in the Renaissance and Baroque periods. This historically informed practice is now supplanting the late Romantic view of improvised music as a rhapsodic endeavour—a musical blossoming out of the capricious genius of the player—that dominated throughout the twentieth century. In the Renaissance and Baroque eras, composing in the mind (alla mente) had an important didactic function. For several categories of musicians, the teaching of counterpoint happened almost entirely through practice on their own instruments. This volume offers the first systematic exploration of the close relationship among improvisation, music theory, and practical musicianship from late Renaissance into the Baroque era. It is not a historical survey per se, but rather aims to re-establish the importance of such a combination as a pedagogical tool for a better understanding of the musical idioms of these periods. The authors are concerned with the transferral of historical practices to the modern classroom, discussing new ways of revitalising the study and appreciation of early music. The relevance and utility of such an improvisation-based approach also changes our understanding of the balance between theoretical and practical sources in the primary literature, as well as the concept of music theory itself. Alongside a word-centred theoretical tradition, in which rules are described in verbiage and enriched by musical examples, we are rediscovering the importance of a music-centred tradition, especially in Spain and Italy, where the music stands alone and the learner must distil the rules by learning and playing the music. Throughout its various sections, the volume explores the path of improvisation from theory to practice and back again.

Counterpoint in Composition

Author : Felix Salzer
Publisher : Columbia University Press
ISBN 13 : 023107039X
Total Pages : 504 pages
Book Rating : 4.2/5 (31 download)

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Book Synopsis Counterpoint in Composition by : Felix Salzer

Download or read book Counterpoint in Composition written by Felix Salzer and published by Columbia University Press. This book was released on 1989 with total page 504 pages. Available in PDF, EPUB and Kindle. Book excerpt: -- Stanley Persky, City University of New York

Harmonic Practice in Tonal Music

Author : Robert Gauldin
Publisher : W W Norton & Company Incorporated
ISBN 13 : 9780393976663
Total Pages : 895 pages
Book Rating : 4.9/5 (766 download)

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Book Synopsis Harmonic Practice in Tonal Music by : Robert Gauldin

Download or read book Harmonic Practice in Tonal Music written by Robert Gauldin and published by W W Norton & Company Incorporated. This book was released on 2004 with total page 895 pages. Available in PDF, EPUB and Kindle. Book excerpt: Conceptually sophisticated and exceptionally musical, Harmonic Practice in Tonal Music provides a thorough treatment of harmony and voice-leading principles in tonal music.

Baroque Counterpoint

Author : Christoph Neidhofer
Publisher : State University of New York Press
ISBN 13 : 143849324X
Total Pages : 624 pages
Book Rating : 4.4/5 (384 download)

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Book Synopsis Baroque Counterpoint by : Christoph Neidhofer

Download or read book Baroque Counterpoint written by Christoph Neidhofer and published by State University of New York Press. This book was released on 2024-01-01 with total page 624 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book teaches Baroque compositional techniques through writing and improvisation exercises and analysis of repertoire examples. It provides readers with a historical outlook by focusing largely on principles taught in treatises from the period 1680–1780. This expanded edition includes new sections with keyboard exercises that provide training in Partimento performance as it was practiced at the time, helping students master Baroque style from the inside. While the focus of the book is on fugue, it also treats chorale preludes, stylized dances, inventions, and trio sonatas. The volume is divided into two parts—basic and advanced— which could be taught in a two-semester sequence. There are various options to introduce material from Part II into Part I for a one-semester course.