A Musical Grammar, in Four Parts

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Publisher :
ISBN 13 :
Total Pages : 374 pages
Book Rating : 4.3/5 (117 download)

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Book Synopsis A Musical Grammar, in Four Parts by : John Wall Callcott

Download or read book A Musical Grammar, in Four Parts written by John Wall Callcott and published by . This book was released on 1809 with total page 374 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Classical and Romantic Performing Practice 1750-1900

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Publisher : Oxford University Press
ISBN 13 : 0195347242
Total Pages : 677 pages
Book Rating : 4.1/5 (953 download)

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Book Synopsis Classical and Romantic Performing Practice 1750-1900 by : Clive Brown

Download or read book Classical and Romantic Performing Practice 1750-1900 written by Clive Brown and published by Oxford University Press. This book was released on 2004-05-20 with total page 677 pages. Available in PDF, EPUB and Kindle. Book excerpt: The past ten years have seen a rapidly growing interest in performing and recording Classical and Romantic music with period instruments; yet the relationship of composers' notation to performing practices during that period has received only sporadic attention from scholars, and many aspects of composers' intentions have remained uncertain. Brown here identifies areas in which musical notation conveyed rather different messages to the musicians for whom it was written than it does to modern performers, and seeks to look beyond the notation to understand how composers might have expected to hear their music realized in performance. There is ample evidence to demonstrate that, in many respects, the sound worlds in which Mozart, Beethoven, Wagner, and Brahms created their music were more radically different from ours than is generally assumed.

Report of the Librarian of Congress

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ISBN 13 :
Total Pages : 554 pages
Book Rating : 4.:/5 (321 download)

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Book Synopsis Report of the Librarian of Congress by : Library of Congress

Download or read book Report of the Librarian of Congress written by Library of Congress and published by . This book was released on 1904 with total page 554 pages. Available in PDF, EPUB and Kindle. Book excerpt:

The Book of Musical Knowledge

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Publisher :
ISBN 13 :
Total Pages : 678 pages
Book Rating : 4.:/5 (334 download)

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Book Synopsis The Book of Musical Knowledge by : Arthur Elson

Download or read book The Book of Musical Knowledge written by Arthur Elson and published by . This book was released on 1915 with total page 678 pages. Available in PDF, EPUB and Kindle. Book excerpt:

A Musical Grammar, in Four Parts

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Publisher :
ISBN 13 :
Total Pages : 0 pages
Book Rating : 4.:/5 (7 download)

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Book Synopsis A Musical Grammar, in Four Parts by : John Wall Callcott

Download or read book A Musical Grammar, in Four Parts written by John Wall Callcott and published by . This book was released on 1809 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Six Sonatinas for Classical Guitar

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Publisher : Clear Note Publications
ISBN 13 : 1625592183
Total Pages : 15 pages
Book Rating : 4.6/5 (255 download)

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Book Synopsis Six Sonatinas for Classical Guitar by : Carl Philipp Emanuel Bach

Download or read book Six Sonatinas for Classical Guitar written by Carl Philipp Emanuel Bach and published by Clear Note Publications. This book was released on 2022-03-26 with total page 15 pages. Available in PDF, EPUB and Kindle. Book excerpt: Under the tutelage of his famous father Johann Sebastian Bach, Carl Philipp Emanuel Bach studied harpsichord and clavichord during his early years and eventually adopted the piano as his primary instrument. A prolific composer, producing over 200 works, C.P.E. Bach wrote symphonies, sonatas and other instrumental works in the Rococo and early Classical style of the 18th century. This style of writing is marked by lyric phrases and light ornamentation that put aside the polyphony and thorough bass of the late baroque composers. The ideas for interpreting and ornamenting the sonatinas in this collection are taken from "Essay on the True Art of Playing Keyboard Instruments" by C.P.E. Bach. They transpose quite well for solo guitar and are a refreshing alternative to compositions by guitarists of the classical era like Sor and Giuliani.

Research Handbook on the History of Copyright Law

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Publisher : Edward Elgar Publishing
ISBN 13 : 1783472405
Total Pages : 495 pages
Book Rating : 4.7/5 (834 download)

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Book Synopsis Research Handbook on the History of Copyright Law by : Isabella Alexander

Download or read book Research Handbook on the History of Copyright Law written by Isabella Alexander and published by Edward Elgar Publishing. This book was released on 2016-03-25 with total page 495 pages. Available in PDF, EPUB and Kindle. Book excerpt: There has been an explosion of interest in recent years regarding the origin and of intellectual property law. The study of copyright history, in particular, has grown remarkably in the last twenty years, with a flurry of activity in the last ten. Crucial to this activity has been a burgeoning focus on unpublished primary sources, enabling new and stimulating insights. This Handbook takes stock of the field of copyright history as it stands today, as well as examining potential developments in the future.

The Concise Oxford History of Music

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Publisher :
ISBN 13 :
Total Pages : 968 pages
Book Rating : 4.:/5 (325 download)

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Book Synopsis The Concise Oxford History of Music by : Gerald Abraham

Download or read book The Concise Oxford History of Music written by Gerald Abraham and published by . This book was released on 1979 with total page 968 pages. Available in PDF, EPUB and Kindle. Book excerpt:

The Music Trade in Georgian England

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Publisher : Routledge
ISBN 13 : 1351542168
Total Pages : 309 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis The Music Trade in Georgian England by : Michael Kassler

Download or read book The Music Trade in Georgian England written by Michael Kassler and published by Routledge. This book was released on 2017-07-05 with total page 309 pages. Available in PDF, EPUB and Kindle. Book excerpt: In contrast to today's music industry, whose principal products are recorded songs sold to customers round the world, the music trade in Georgian England was based upon London firms that published and sold printed music and manufactured and sold instruments on which this music could be played. The destruction of business records and other primary sources has hampered investigation of this trade, but recent research into legal proceedings, apprenticeship registers, surviving correspondence and other archived documentation has enabled aspects of its workings to be reconstructed. The first part of the book deals with Longman & Broderip, arguably the foremost English music seller in the late eighteenth century, and the firm's two successors - Broderip & Wilkinson and Muzio Clementi's variously styled partnerships - who carried on after Longman & Broderip's assets were divided in 1798. The next part shows how a rival music seller, John Bland, and his successors, used textual and thematic catalogues to advertise their publications. This is followed by a comprehensive review of the development of musical copyright in this period, a report of efforts by a leading inventor, Charles 3rd Earl Stanhope, to transform the ways in which music was printed and recorded, and a study of Georg Jacob Vollweiler's endeavour to introduce music lithography into England. The book should appeal not only to music historians but also to readers interested in English business history, publishing history and legal history between 1714 and 1830.

English Opera in Late Eighteenth-century London

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Publisher :
ISBN 13 :
Total Pages : 296 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis English Opera in Late Eighteenth-century London by : Jane Girdham

Download or read book English Opera in Late Eighteenth-century London written by Jane Girdham and published by . This book was released on 1997 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: Stephen Storace (1762-96) was a prominent opera composer in London. His works exemplify the best in English opera, with music closely integrated with the drama, and including attractive tunes the audience could sing and play at home. This book provides unique insights into the musical world of the period, examining theatrical life and music publishing from the perspective of Storace's works.

Chopin

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Publisher :
ISBN 13 :
Total Pages : 446 pages
Book Rating : 4.A/5 ( download)

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Book Synopsis Chopin by : James Huneker

Download or read book Chopin written by James Huneker and published by . This book was released on 1900 with total page 446 pages. Available in PDF, EPUB and Kindle. Book excerpt:

A History of Music in England

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Publisher :
ISBN 13 :
Total Pages : 0 pages
Book Rating : 4.:/5 (145 download)

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Book Synopsis A History of Music in England by : Ernest Walker

Download or read book A History of Music in England written by Ernest Walker and published by . This book was released on 1939 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Musical Interludes in Boston 1795-1830

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Publisher : Swedenborg Press
ISBN 13 : 1406739081
Total Pages : 392 pages
Book Rating : 4.4/5 (67 download)

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Book Synopsis Musical Interludes in Boston 1795-1830 by : H. Earle Johnson

Download or read book Musical Interludes in Boston 1795-1830 written by H. Earle Johnson and published by Swedenborg Press. This book was released on 2007-03 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt: PREFACE. THE Author of this very practical treatise on Scotch Loch - Fishing desires clearly that it may be of use to all who had it. He does not pretend to have written anything new, but to have attempted to put what he has to say in as readable a form as possible. Everything in the way of the history and habits of fish has been studiously avoided, and technicalities have been used as sparingly as possible. The writing of this book has afforded him pleasure in his leisure moments, and that pleasure would be much increased if he knew that the perusal of it would create any bond of sympathy between himself and the angling community in general. This section is interleaved with blank shects for the readers notes. The Author need hardly say that any suggestions addressed to the case of the publishers, will meet with consideration in a future edition. We do not pretend to write or enlarge upon a new subject. Much has been said and written-and well said and written too on the art of fishing but loch-fishing has been rather looked upon as a second-rate performance, and to dispel this idea is one of the objects for which this present treatise has been written. Far be it from us to say anything against fishing, lawfully practised in any form but many pent up in our large towns will bear us out when me say that, on the whole, a days loch-fishing is the most convenient. One great matter is, that the loch-fisher is depend- ent on nothing but enough wind to curl the water, -and on a large loch it is very seldom that a dead calm prevails all day, -and can make his arrangements for a day, weeks beforehand whereas the stream- fisher is dependent for a good take on the state of the water and however pleasant and easy it may be for one living near the banks of a good trout stream or river, it is quite another matter to arrange for a days river-fishing, if one is looking forward to a holiday at a date some weeks ahead. Providence may favour the expectant angler with a good day, and the water in order but experience has taught most of us that the good days are in the minority, and that, as is the case with our rapid running streams, -such as many of our northern streams are, -the water is either too large or too small, unless, as previously remarked, you live near at hand, and can catch it at its best. A common belief in regard to loch-fishing is, that the tyro and the experienced angler have nearly the same chance in fishing, -the one from the stern and the other from the bow of the same boat. Of all the absurd beliefs as to loch-fishing, this is one of the most absurd. Try it. Give the tyro either end of the boat he likes give him a cast of ally flies he may fancy, or even a cast similar to those which a crack may be using and if he catches one for every three the other has, he may consider himself very lucky. Of course there are lochs where the fish are not abundant, and a beginner may come across as many as an older fisher but we speak of lochs where there are fish to be caught, and where each has a fair chance. Again, it is said that the boatman has as much to do with catching trout in a loch as the angler. Well, we dont deny that. In an untried loch it is necessary to have the guidance of a good boatman but the same argument holds good as to stream-fishing...

Italian Opera in Late Eighteenth-century London: The King's Theatre, Haymarket, 1778-1791

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Publisher :
ISBN 13 :
Total Pages : 742 pages
Book Rating : 4.F/5 ( download)

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Book Synopsis Italian Opera in Late Eighteenth-century London: The King's Theatre, Haymarket, 1778-1791 by : Curtis Alexander Price

Download or read book Italian Opera in Late Eighteenth-century London: The King's Theatre, Haymarket, 1778-1791 written by Curtis Alexander Price and published by . This book was released on 1995 with total page 742 pages. Available in PDF, EPUB and Kindle. Book excerpt: This interdisciplinary study attempts to make sense of what has long been regarded as a chaotic period in the history of opera in London. In 1778, R.B. Sheridan acquired the King's Theatre and its resident opera company in what we would now call a leveraged buy-out, plunging the opera into escalating debts that were to haunt it into the 1840s. The 1780s and early 1790s were a stormy but exciting era: the company hired some of the foremost singers and dancers in Europe; ballet d'action came to London, with Noverre himself as ballet master; the company employed such composers as Sacchini, Anfossi, Cherubini and ultimately Haydn; it went bankrupt and carried on through years of wrangling in chancery; the King's Theatre burned down in 1789 and was rebuilt and re-opened in defiance of the Lord Chamberlain's refusal to license the new building. Drawing on libretti and scores, ballet scenarios, pamphlets, scattered manuscripts, legal records, architectural drawings, newspapers, and other sources, the authors reconstruct the history of the company and its shifting artistic policies, analyzing opera and ballet repertory, performers, production circumstances, finances, and managerial infighting.

Music Publishing in the British Isles

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Publisher :
ISBN 13 :
Total Pages : 434 pages
Book Rating : 4.X/5 (1 download)

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Book Synopsis Music Publishing in the British Isles by : Charles Humphries

Download or read book Music Publishing in the British Isles written by Charles Humphries and published by . This book was released on 1970 with total page 434 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Life of Chopin

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Publisher : Library of Alexandria
ISBN 13 : 1613105460
Total Pages : 191 pages
Book Rating : 4.6/5 (131 download)

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Book Synopsis Life of Chopin by : Franz Liszt

Download or read book Life of Chopin written by Franz Liszt and published by Library of Alexandria. This book was released on 2020-09-28 with total page 191 pages. Available in PDF, EPUB and Kindle. Book excerpt:

The Publication of Plays in London 1660-1800

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Publisher : British Library - Panizzi Lect
ISBN 13 : 9780712357739
Total Pages : 0 pages
Book Rating : 4.3/5 (577 download)

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Book Synopsis The Publication of Plays in London 1660-1800 by : Judith Milhous

Download or read book The Publication of Plays in London 1660-1800 written by Judith Milhous and published by British Library - Panizzi Lect. This book was released on 2015 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: A great deal of bibliographic and historical scholarship has been devoted to English drama up to 1660, but after the renaissance scholarship grows scant: late 17th-century plays have received little such attention, and 18th-century plays hardly any. This ground-breaking study by two internationally renowned scholars in theater history asks fundamental questions that have often been previously ignored - Who published plays? What was the cost of publication, the risk, and the potential profit? What did single plays cost, and what did play collections cost? How much market existed for used copies and at what prices? What did playwrights earn from publication, and how important was it to their income? What was the function of illustrations in published plays, and what can we learn from these illustrations?