A Grammar Of Musical Harmony

Author : John Hullah
Publisher : Forgotten Books
ISBN 13 : 9781333432898
Total Pages : 102 pages
Book Rating : 4.4/5 (328 download)

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Download or read book A Grammar of Musical Harmony written by John Hullah and published by Forgotten Books. This book was released on 2016-09-01 with total page 102 pages. Available in PDF, EPUB and Kindle. Book excerpt: Excerpt from A Grammar of Musical Harmony: The Substance of Lectures Delivered in St. Martin's Hall and the Training Institutions of the National Society There are some terms belonging to every art or science which, though convenient or indispensable to adepts, are a source of embarrassment to beginners. In music, melody, harmony, and counterpoint, are among these. A succession of individual sounds, and a succession of combinations of sounds, are obviously different things, and as such they require different designations, - the very existence of which makes it difficult to appreciate the fact that the things designated, though different, must never be considered separately. For, a succession of sounds can hardly be recognised as melody, unless it be capable of proof, by the addition of that harmony of which it is only one part, While a succession of combinations of sounds will be unworthy of the name of harmony, unless the various parts of which it is composed be individually melodious. Certain it is that a musician never conceives melody Without associating it with harmony, as he never hears harmony without being able to trace out more or less of the melody which it must of necessity contain. The line of demarcation between harmony and counterpoint being less strongly marked than that between melody and harmony, their distinction by different names is attended with much greater inconvenience. For that distinction would seem to imply that the arrangement of individual parts was something over and above, or even different from, making the chords in which they are contained succeed one another properly. Now, no one could be considered as a harmonist who could not connect one consonant combination with another, prepare and resolve discords, and reconcile the frequently con icting interests of combination and progression. And yet by the term counterpoint is understood little more; for the treatment of mere passing notes can hardly be brought altogether under those strict rules to which a science is generally supposed to be amenable. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."