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A Comparative Study Of The English And Italian Languages
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Book Synopsis A Comparative Study of the English and Italian Languages by : Chantal Zoppis
Download or read book A Comparative Study of the English and Italian Languages written by Chantal Zoppis and published by . This book was released on 1990* with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis A Comparative Study Guide Spanish to English to Italian by : Robert D. O'Brian
Download or read book A Comparative Study Guide Spanish to English to Italian written by Robert D. O'Brian and published by Certa Publishing. This book was released on 2014-06-13 with total page 342 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Comparative Vocabulary Study Guide, Spanish to English to Italian, highlights over 7,000 selected Spanish words that have either the same spelling and meaning as their English and Italian counterparts or contain easily recognizable English and Italian meanings. This guide jump-starts the student into a knowledge of Spanish or English or Italian, or all three, by concentrating on easily recognizable words common to these languages. It teaches a basic vocabulary by word association. This guide is designed after the "vocabulary first" method of language instruction as advocated by the author. The student then is taught how to structure a particular vocabulary into meaningful sentences and concepts.
Book Synopsis A comparative view of the English and Italian Languages, intended to establish an easy ... plan for the acquirement of both by : C. LAISNÉ
Download or read book A comparative view of the English and Italian Languages, intended to establish an easy ... plan for the acquirement of both written by C. LAISNÉ and published by . This book was released on 1817 with total page 48 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis An introductory lecture to the comparative study of languages by : Francis Henry Trithen
Download or read book An introductory lecture to the comparative study of languages written by Francis Henry Trithen and published by . This book was released on 1843 with total page 42 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis A Comparative Study Guide Spanish to English to Italian by : Robert O'Brian
Download or read book A Comparative Study Guide Spanish to English to Italian written by Robert O'Brian and published by . This book was released on 2014-05-27 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Italian-English Sounds and Structures by : Maria Mergoni Pario
Download or read book Italian-English Sounds and Structures written by Maria Mergoni Pario and published by . This book was released on 1975 with total page 81 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis A Comparative View of the English and Italian Languages Intended to Establish an Easy and Methodical Plan for the Acquirement of Both ... by : C. Laisné
Download or read book A Comparative View of the English and Italian Languages Intended to Establish an Easy and Methodical Plan for the Acquirement of Both ... written by C. Laisné and published by . This book was released on 1817 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Comparative Grammar of Spanish, Portuguese, Italian and French by : Mikhail Petrunin
Download or read book Comparative Grammar of Spanish, Portuguese, Italian and French written by Mikhail Petrunin and published by . This book was released on 2018-06-25 with total page 810 pages. Available in PDF, EPUB and Kindle. Book excerpt: Nowadays thousands of grammar books, textbooks, outlines, references and language guides of Spanish, Portuguese, Italian and French are published year by year. However, all of them teach these languages separately. Here you will find a comparative grammar of the four major Romance languages together based on their grammatical and lexical similarities for you, lovers of foreign languages, to learn and compare Spanish, Portuguese, Italian and French simultaneously. It is an audacious endeavor to find or create a novel way of learning to speak several languages and becoming a multilingual person. It took me over 3 years to finish the book. It consists of over 800 pages, 10 chapters covering all the grammatical aspects of these 4 languages. It includes over 1000 examples, 500 easy-to-follow charts and tables. It contains 138 geographical, historical and cultural facts about Spanish, Portuguese, Italian and French countries.Below I will discuss several reasons why I decided to write this book and why you need it.1) First of all, this book is written for readers like you who are fond of or would like to learn Spanish, Portuguese, Italian and French simultaneously or just to get an all-round knowledge of all these four Romance languages. It is designed not only for beginners who do not have an extensive knowledge of grammar, yet need a guide through the grammatical concepts of all mentioned above languages, but also intermediate and advanced students who would like to have a reference book ofseveral Romance languages at once.2) Second of all I spent many years learning these languages separately, which was a complete waste of time before I realized it. This book will hopefully save you a great deal of time and allow you to study and compare at a glance the four main Neo-Latin languages.3) Knowledge of foreign languages is fast becoming a necessary requirement for those who are involved in international business, tourism, culture and education. This book offers you four languages to learn, which will make you feel at homewherever you go, whether as a tourist or businessman.4) Learning several languages simultaneously or one by one will train and strengthen your memory and can help stave off such terrible diseases as Alzheimer's.5) If you have never studied several languages at once before and you like challenges, then you should definitely try it. Because it is a really entertaining and challenging task to do.In conclusion, I would like to sincerely thank you for preordering the book and your interest in it. I hope it will help youimprove your languages and become multilingual.
Download or read book England Vs Italy written by Alex Dunitz and published by Createspace Independent Publishing Platform. This book was released on 2017-04-17 with total page 150 pages. Available in PDF, EPUB and Kindle. Book excerpt: We learn a foreign language in order to connect with the people of the country speaking it. Connecting may be necessary when work comes into play - perhaps not as relevant when pleasure, not business, is involved. In both cases, we are challenged by new structures, new patterns, new vocabulary which make sure that culture comes to life. Whenever possible, we look out for reassuring similarities with the language/s we are familiar with. Such similarities are not always (easily) found. At times, words and expressions are misleading since their meaning unexpectedly differs. At times, it is the people's customs and habits which puzzle us. This book attempts to straighten out some instances native speakers of English may find tricky when coming to grips with Italian.
Book Synopsis A Comparative Study on the Translation of Detective Stories from a Systemic Functional Perspective by : Yan Wang
Download or read book A Comparative Study on the Translation of Detective Stories from a Systemic Functional Perspective written by Yan Wang and published by Springer Nature. This book was released on 2020-08-31 with total page 235 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book presents a corpus-based investigation of verbal projection in detective stories and their translations. Adopting both diachronic and synchronic approaches to compare two different Chinese translations, the book is one of the first attempts to conduct a comprehensive lexico-grammatical, logico-semantic and rhetorical, as well as contextual analysis of verbal projection in the Chinese context, especially the classical Chinese language context. Further, it studies the differences and similarities of different translators’ choices from both diachronic and synchronic perspectives. Given its scope, the book is relevant for all those interested in functional linguistics, translation studies and detective stories.
Book Synopsis Comparing Italian and English by : Patrizia Pierini
Download or read book Comparing Italian and English written by Patrizia Pierini and published by . This book was released on 2004 with total page 197 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis A Comparative View of the English [Italian, French] and Latin Languages ... by : T. Laisné
Download or read book A Comparative View of the English [Italian, French] and Latin Languages ... written by T. Laisné and published by . This book was released on 1817 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Comparative Grammar of Italian and French by : Mikhail Petrunin
Download or read book Comparative Grammar of Italian and French written by Mikhail Petrunin and published by Independently Published. This book was released on 2019-05-09 with total page 504 pages. Available in PDF, EPUB and Kindle. Book excerpt: This new edition of Comparative Grammar of Italian and French is a complete reference guide to all the aspects of Italian and French. It is the ideal reference book for those who would like to learn and compare Italian and French simultaneously.It is designed not only for beginners who do not have an extensive knowledge of grammar, yet need a guide through the grammatical concepts of all mentioned above languages, but also intermediate and advanced students who would like to have a reference book of several Romance languages at once. Comparative Grammar of Italian and French can also be used for either independent study or for learners in classes of all types.It presents a clear and easy-to-read description of the Italian and French grammar with chapters divided into nouns, pronouns, verbs, prepositions, articles, etc. detailing how each of the two Romance languages operate. The book is well-organized, neatly tabulated, with separate subheadings for topics that require a little more language-specific discussion.This edition features: - Detailed contents section and index for easy access to information.- Hundreds of illustrative and authentic examples.- Coverage of all the grammatical aspects and useful expressions.- Sections on the geographical, historical and cultural facts of the Italian and French-speaking world. This book is written for learners who are particularly fond of or would like to concentrate on learning Italian and French or just to get an all-round knowledge of these two Romance languages.Furthermore, I have aimed to create a useful and must-have book for all those interested in the two main and most wide-spread Neo-Latin languages - Italian and French with concise and clear explanations of all grammatical areas and numerous practical examples taken from current Italian and French usage
Book Synopsis New Approaches to Teaching Italian Language and Culture by : Emanuele Occhipinti
Download or read book New Approaches to Teaching Italian Language and Culture written by Emanuele Occhipinti and published by Cambridge Scholars Publishing. This book was released on 2008-12-11 with total page 595 pages. Available in PDF, EPUB and Kindle. Book excerpt: New Approaches to Teaching Italian Language and Culture fills a major gap in existing scholarship and textbooks devoted to the teaching of Italian language and culture. A much-needed project in Italianistica, this collection of essays offers case studies that provide a coherent and organized overview of contemporary Italian pedagogy, incorporating the expertise of scholars in the field of language methodology and language acquisition from Italy and four major countries where the study of Italian has a long tradition: Australia, Canada, Great Britain and the United States. The twenty four essays, divided into six main parts, offer a tremendous variety of up-to-date approaches to the teaching of Italian as a foreign language and L2, ranging from theoretical to more practical, hands-on strategies with essays on curricular innovations, technology, study abroad programs, culture, film and song use as effective pedagogical tools. Each case study introduces a systematic approach with an overview of theory, activities and assessment suggestions, collection of research data and syllabi. The book addresses the needs of instructors and teacher trainers, putting in perspective different examples that can be used for more effective teaching techniques according to the ACTFL guidelines and the Common European Framework of Reference for Languages.
Book Synopsis Comparing Italian and English by : Patrizia Pierini
Download or read book Comparing Italian and English written by Patrizia Pierini and published by . This book was released on 2012 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author :María de los Ángeles Gómez González Publisher :John Benjamins Publishing ISBN 13 :9027290520 Total Pages :394 pages Book Rating :4.0/5 (272 download)
Book Synopsis Languages and Cultures in Contrast and Comparison by : María de los Ángeles Gómez González
Download or read book Languages and Cultures in Contrast and Comparison written by María de los Ángeles Gómez González and published by John Benjamins Publishing. This book was released on 2008-06-26 with total page 394 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume explores various hitherto under-researched relationships between languages and their discourse-cultural settings. The first two sections analyze the complex interplay between lexico-grammatical organization and communicative contexts. Part I focuses on structural options in syntax, deepening the analysis of information-packaging strategies. Part II turns to lexical studies, covering such matters as human perception and emotion, the psychological understanding of ‘home’ and ‘abroad’, the development of children’s emotional life and the relation between lexical choice and sexual orientation. The final chapters consider how new techniques of contrastive linguistics and pragmatics are contributing to the primary field of application for contrastive analysis, language teaching and learning. The book will be of special interest to scholars and students of linguistics, discourse analysis and cultural studies and to those entrusted with teaching European languages and cultures. The major languages covered are Akan, Dutch, English, Finnish, French, German, Italian, Norwegian, Spanish and Swedish.
Book Synopsis A Comparative Study of Byrd Songs by :
Download or read book A Comparative Study of Byrd Songs written by and published by Anaphora Literary Press. This book was released on 2023-05-02 with total page 382 pages. Available in PDF, EPUB and Kindle. Book excerpt: A comparative anthology of all of the variedly-bylined texts in William Byrd’s linguistic-group, with scholarly introductions that solve previously impenetrable literary mysteries. This is a comparative anthology of William Byrd’s multi-bylined verse, with scholarly introductions to their biographies, borrowings, and generic and structural formulas. The tested Byrd-group includes 30 texts with 29 different bylines. Each of these texts is covered in a separate chronologically-organized section. This anthology includes modernized translations of some of the greatest and the wittiest poetry of the Renaissance. Some of these poems are the most famous English poems ever written, while others have never been modernized before. These poems serve merely as a bridge upon which a very different history of early British poetry and music is reconstructed, through the alternative history of the single ghostwriter behind them. This history begins with two forgeries that are written in an antique Middle English style, while simultaneously imitating Virgil’s Eclogues: “Alexander Barclay’s” claimed translation of Pope Pius II’s Eclogues (1514?) and “John Skelton’s” Eclogues (1521?). The next attribution mystery solved is how only a single poem assigned to “Walter Rawely of the Middle Temple” (when Raleigh is not known to have been a member of this Inn of Court) in The Steal Glass: A Satire (1576) has snowballed into entire anthologies of poetry that continue to be assigned to “Raleigh” as their “author”. Matthew Lownes assigned the “Edmund Spenser”-byline for the first time in 1611 to the previously anonymous Shepherds’ Calendar (1579) to profit from the popularity of the appended to it Fairy Queen. And “Thomas Watson” has been credited with creating Hekatompathia (1582), when this was his first book-length attempt in English; and this collection has been described as the first Petrarchan sonnet sequence in English, when actually most of these poems have 18-line, instead of 14-line stanzas. Byrd’s self-attributed Psalms, Sonnets, and Songs (1588) includes several lyrics that have since been re-assigned erroneously to other bylines in this collection, such as “My Mind to Me a Kingdom Is” being re-assigned to “Sir Edward Dyer”. The Byrd chapter also describes the history of his music-licensing monopoly. The “University Wit” label is reinterpreted as being applied to those who completed paper-degrees with help from ghostwriters, as exemplified in “Robert Greene’s” confession that “his” Pandosto and Menaphon were “so many parricides”, as if these obscene topics were forced upon him without his participation in the authorial process. “Philip Sidney’s” Astrophil and Stella (1591) is showcased as an example of erroneous autobiographical interpretations of minor poetic references; for example, the line “Rich she is” in a sonnet that puns repeatedly on the term “rich”, has been erroneously widely claimed by scholars to prove that Sidney had a prolonged love-interest in “Lady Penelope Devereux Rich”. Similarly, Thomas Lodge’s 1592-3 voyage to South America has been used to claim his special predilection for “sea-studies”, in works such as Phillis (1593), when adoring descriptions of the sea are common across the Byrd-group. Alexander Dyce appears to have assigned the anonymous Licia (1593) to “Giles Fletcher” in a brief note in 1843, using only the evidence of a vague mention of an associated monarch in a text from another member of the “Fletcher” family. One of the few blatantly fictitiously-bylined Renaissance texts that have not been re-assigned to a famous “Author” is “Henry Willobie’s” Avisa (1594) that invents a non-existent Oxford-affiliated editor called “Hadrian Dorrell”, who confesses to have stolen this book, without “Willobie’s” permission. Even with such blatant evidence of satirical pseudonym usage or potential identity-fraud, scholars have continued to search for names in Oxford’s records that match these bylines. “John Monday’s” Songs and Psalms (1594) has been labeled as one of the earliest madrigal collections. 1594 was the approximate year when Byrd began specializing in providing ghostwriting services for mostly university-educated musicologists, who used these publishing credits to obtain music positions at churches such as the Westminster Abbey, or at Court. An Oxford paper-degree helped “Thomas Morley” become basically the first non-priest Gospeller at the Chapel Royal. The section on “Morley’s” Ballets (1595) describes the fiscal challenges Morley encountered when the music-monopoly temporarily transitioned from Byrd’s direct control to his. “John Dowland’s” First Book of Songs or Airs (1597) is explained as a tool that helped Dowland obtain an absurdly high 500 daler salary from King Christian IV of Denmark in 1600, and his subsequent equally absurd willingness to settle for a £21 salary in 1612 to become King James I’s Lutenist. And the seemingly innocuous publication of “Michael Cavendish’s” 14 Airs in Tablature to the Lute (1598) is reinterpreted, with previously neglected evidence, as actually a book that was more likely to have been published in 1609, as part of the propaganda campaign supporting Lady Arabella Stuart’s succession to the British throne; the attempt failed and led to Arabella’s death during a hunger-strike in the Tower, and to the closeting of Airs. “William Shakespeare’s” The Passionate Pilgrim (1599) has been dismissed by scholars as only containing a few firmly “Shakespearean” poems, in part because nearly all of its 20 poems had appeared under other bylines. Passionate’s poems 16, 17, 19 and 20 are included, with an explanation of the divergent—“Ignoto”, “Shakespeare” and “Marlowe”—bylines they were instead assigned to in England’s Helicon (1600). Scholars have previously been at a loss as to identity of the “John Bennet” of the Madrigals (1599), and this mystery is solved with the explanation that this byline is referring to Sir John Bennet (1553-1627) whose £20,000 bail, was in part sponsored with a £1,200 donation from Sir William Byrd. “John Farmer’s” First Set of English Madrigals (1599) is reinterpreted as a byline that appears to have helped Farmer continue collecting on his Organist salary physically appearing for work, between a notice of absenteeism in 1597 and 1608, when the next Organist was hired. “Thomas Weelkes’” Madrigals (1600) is reframed as part of a fraud that managed to advance Weelkes from a menial laborer £2 salary at Winchester to a £15 Organist salary at Chichester. He was hired at Chichester after somehow finding around £30 to attain an Oxford BA in Music in 1602, in a suspicious parallel with the Dean William Thorne of Chichester’s degree-completion from the same school; this climb was followed by one of the most notorious Organist tenures, as Weelkes was repeatedly cited for being an absentee drunkard, and yet Dean Thorne never fired him. “Richard Carlton’s” Madrigals (1601) also appears to be an inoffensive book, before the unnoticed by scholars “Mus 1291/A” is explained as torn-out prefacing pages that had initially puffed two schemers that were involved in the conspiracy of Biron in 1602. The British Library describes Hand D in “Addition IIc” of Sir Thomas More as “Shakespeare’s only surviving literary manuscript”; this section explains Byrd’s authorship of verse fragments, such as “Addition III”, and Percy’s authorship of the overall majority of this censored play; the various handwritings and linguistic styles in the More manuscript are fully explained. “Michael Drayton’s” Idea (1603-1619) series has been explained as depicting an autobiographical life-long obsession with the unnamed-in-the-text “Anne Goodere”, despite “Drayton’s” apparent split-interest also in a woman called Matilda (1594) and in male lovers in some sprinkled male-pronoun sonnets. “Michael East’s” Second Set of Madrigals (1606) is one of a few music books that credit “Sir Christopher Hatton” as a semi-author due to their authorship at his Ely estate; the many implications of these references are explored. “Thomas Ford’s” Music of Sundry Kinds (1607) serves as a gateway to discuss a group of interrelated Jewish Court musicians, included Joseph Lupo (a potential, though impossible to test, ghostwriter behind the Byrd-group), and open cases of identity-fraud, such as Ford being paid not only his own salary but also £40 for the deceased “John Ballard”. “William Shakespeare’s” Sonnets (1609) are discussed as one of Byrd’s mathematical experiments, which blatantly do not adhering to a single “English sonnet” formula, as they include deviations such as poems with 15 lines, six couplets, and a double-rhyme-schemes. The poems that have been erroneously assigned to “Robert Devereux” are explained as propaganda to puff his activities as a courtier, when he was actually England’s top profiteer from selling over £70,000 in patronage, knighthoods and various other paper-honors. “Orlando Gibbons’” or “Sir Christopher Hatton’s” First Set of Madrigals and Motets (1612) describes the lawsuit over William Byrd taking over a Cambridge band-leading role previously held by William Gibbons, who in retaliated by beating up Byrd and breaking his instrument. This dispute contributed to Byrd and Harvey’s departure from Cambridge. Byrd’s peaceful life in academia appears to be the period that Byrd was thinking back to in 1612, as he was reflecting on his approaching death in the elegantly tragic “Gibbons’” First songs. Acronyms and Figures Introduction Handwriting Analysis: Byrd-Group “Alexander Barclay’s” Translation of Pope Pius II’s Eclogues (1530?) “John Skelton’s” Pithy, Pleasant and Profitable Works (1568) “Sir Walter Raleigh’s” Poems Between 1576 and 1604 “Edmund Spenser’s” Shepherds’ Calendar (1579) “Thomas Watson’s” Hekatompathia or Passionate Century of Love (1582) William Byrd’s Psalms, Sonnets, and Songs of Sadness and Piety (1588) “Sir Edward Dyer’s” Poems Between 1588 and 1620 “Robert Greene’s” Poems in Menaphon (1589) and Dorastus and Fawnia (1588/1696) “Philip Sidney’s” Astrophil and Stella (1591) “Thomas Lodge’s” Phillis (1593) “Giles Fletcher’s” Licia (1593) “Henry Willobie’s” Avisa (1594) “John Monday’s” Songs and Psalms (1594) “Thomas Morley’s” Ballets (1595) “John Dowland’s” First Book of Songs or Airs (1597) “Michael Cavendish’s” 14 Airs in Tablature to the Lute (1598) “William Shakespeare’s” The Passionate Pilgrim (1599) “John Bennet’s” Madrigals (1599) “John Farmer’s” First Set of English Madrigals (1599) “Thomas Weelkes’” Madrigals (1600) “Richard Carlton’s” Madrigals (1601) “Anthony Monday”, “Henry Chettle” and “William Shakespeare’s” Sir Thomas More, “Addition III” (Censored: 1592-1603) “Michael Drayton’s” Idea (1603-1619) “Michael East’s” Second Set of Madrigals (1606) “Thomas Ford’s” Music of Sundry Kinds (1607) “William Shakespeare’s” Sonnets (1609) “Robert Devereux’s” Poems (1610) “Orlando Gibbons” or “Sir Christopher Hatton’s” First Set of Madrigals and Motets (1612) Terms, References, Questions, Exercises